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Sarasate: Boléro; Sérénade Andalouse; Introduction et fandango; Prière et berceuse; Airs écossais ()

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composed by Pablo de Sarasate

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Sarasate: Boléro; Sérénade Andalouse; Introduction et fandango; Prière et berceuse; Airs écossais - Markus Hadulla (piano); Tianwa Yang (violin)
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  1. Bolero, for violin & piano, Op. 30
  2. Zortzico de Iparaguirre, for violin & piano, Op. 39
  3. Sérénade Andalouse, for violin & piano, Op. 10
  4. Zortizico Adiós montañas mias, for violin & piano, Op. 37
  5. Le sommeil, for violin & piano, Op. 11
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  1. Bolero, for violin & piano, Op. 30
  2. Zortzico de Iparaguirre, for violin & piano, Op. 39
  3. Sérénade Andalouse, for violin & piano, Op. 10
  4. Zortizico Adiós montañas mias, for violin & piano, Op. 37
  5. Le sommeil, for violin & piano, Op. 11
  6. Rêverie (Ensoñación), for violin & piano, Op. 4
  7. Introduction et Fandango varié, for violin & piano, Op. 40
  8. Fantaisie-Caprice, for violin & piano
  9. Priére et Berceuse (Oración y Nana), for violin & piano, Op. 17
  10. Romance sans paroles, for violin & piano ("Confidences"), Op. 7
  11. Caprice on Gounod's "Mireille," for violin & piano, Op. 6
  12. Airs Écossais, for violin & orchestra, Op. 34
  13. Los pájaros de Chile, for violin & piano
  14. Les Adieux, for violin & piano, Op. 9
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Tianwa Yang, a Chinese prodigy who tossed off the Paganini Caprices at the age of 13, has done well to focus on the compositions of 19th-century Spanish virtuoso Pablo Sarasate instead of delivering yet another Mendelssohn or Tchaikovsky concerto. A veteran in her early twenties, she shows no sign of burning out, treating the listener to both technical mastery and melodic flair in works that are in many cases little known. The present album, the third in her series of Sarasate works for violin and piano, lacks for nothing ...

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