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Saint-Saëns: Piano Concertos 2 & 5; Solo Piano Works - Bertrand Chamayou (piano); Orchestre National de France; Emmanuel Krivine (conductor)
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  1. Piano Concerto No. 2 in G minor, Op. 22
  2. Piano Concerto No. 5 in F major ("Egyptian"), Op. 103
  3. Études (6) for piano, Op. 111: Les Cloches de Las Palmas
  4. Études (6) for piano, Op. 52: En forme de valse
  5. Mazurka No. 3 for piano in B minor, Op. 66
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  1. Piano Concerto No. 2 in G minor, Op. 22
  2. Piano Concerto No. 5 in F major ("Egyptian"), Op. 103
  3. Études (6) for piano, Op. 111: Les Cloches de Las Palmas
  4. Études (6) for piano, Op. 52: En forme de valse
  5. Mazurka No. 3 for piano in B minor, Op. 66
  6. Études (6) for piano, Op. 111: Tierces majeures et mineures
  7. Allegro appassionato, for piano (also with orchestra ad lib) in C sharp minor, Op. 70
  8. Études (6) for piano, Op. 52: Pour l'indépendance des doigts'
  9. Valse nonchalante, for piano in D flat major, Op. 110 (also orchestrated)
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For French pianists who don't approach the task in a sympathetic spirit, the nearly obligatory early-career Saint-Saëns recital can seem a chore, for both pianist and listener. Not a bit of it here. Pianist Bertrand Chamayou and the Orchestre National de France under Emmanuel Krivine absolutely nail the Piano Concerto No. 2, Op. 22, with a performance notable for its combination of small detail and energy. Saint-Saëns is sometimes criticized, and indeed sometimes rightly, for being a by-the-book conservatory composer, but ...

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