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Saint-Saëns, Offenbach - Camille Thomas (cello); Double Sens; Jean-Christophe Keck (critical edition); Nemanja Radulovic (violin);...
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  1. Cello Concerto No. 1 in A minor, Op. 33
  2. Samson et Dalila, opera in 3 acts, Op. 47: Mon C?ur S'ouvre À Ta Voix
  3. Suite for cello & orchestra, Op. 16bis
  4. Les contes d'Hoffmann, opera in 4 acts: Act III: Barcarolle
  5. Grand scène espagnole, for cello and string sextet (or orchestra), Op. 22: Introduction. Andante maestoso - Prière
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  1. Cello Concerto No. 1 in A minor, Op. 33
  2. Samson et Dalila, opera in 3 acts, Op. 47: Mon C?ur S'ouvre À Ta Voix
  3. Suite for cello & orchestra, Op. 16bis
  4. Les contes d'Hoffmann, opera in 4 acts: Act III: Barcarolle
  5. Grand scène espagnole, for cello and string sextet (or orchestra), Op. 22: Introduction. Andante maestoso - Prière
  6. Grand scène espagnole, for cello and string sextet (or orchestra), Op. 22: Boléro. Allegro vivo
  7. Harmonies des bois, 3 pieces for cello solo, Op. 76
  8. La vie parisienne, operetta in 5 acts, revised to 4 acts: Act I: Je Suis Brésilien
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The graphics for this Deutsche Grammophon release show the young Franco-Belgian cellist Camille Thomas having a good time (with cello) in various European locations, and they capture the feel of the whole. Thomas states as her goal "to create a disc that would be filled with joy, emotion, and youth," and she hits this on the mark with tuneful music from start to finish. Saint-Saëns is conventionally in the "classical" sphere and Offenbach in the "light," but here they seem to go together naturally, and Thomas finds some ...

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Saint-Saëns, Offenbach 2017, Deutsche Grammophon

UPC: 028947975205

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