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Rossini: Amici e Rivali - Lawrence Brownlee (tenor); Michael Spyres (tenor); Tara Erraught (mezzo-soprano); Xabier Anduaga (tenor);...
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  1. Il barbiere di Siviglia (The Barber of Seville), opera: Act I: Scene 7: All'idea di quel metallo
  2. Ricciardo e Zoraide, opera: Act I: Scene 7: S'ella mi è ognor fedele
  3. Ricciardo e Zoraide, opera: Act I: Scene 7: Qual sarà mai la gioia
  4. Ricciardo e Zoraide, opera: Act II: Scene 2: Donala a questo core
  5. Ricciardo e Zoraide, opera: Act II: Scene 2: Teco or sarà
Show All Tracks
  1. Il barbiere di Siviglia (The Barber of Seville), opera: Act I: Scene 7: All'idea di quel metallo
  2. Ricciardo e Zoraide, opera: Act I: Scene 7: S'ella mi è ognor fedele
  3. Ricciardo e Zoraide, opera: Act I: Scene 7: Qual sarà mai la gioia
  4. Ricciardo e Zoraide, opera: Act II: Scene 2: Donala a questo core
  5. Ricciardo e Zoraide, opera: Act II: Scene 2: Teco or sarà
  6. La donna del lago (The Lady of the Lake), opera: Act II: Scene 1: Nume! Se a' miei sospiri
  7. La donna del lago (The Lady of the Lake), opera: Act II: Scene 2: Qual pena in me già desta
  8. Elisabetta, regina d'Inghilterra, opera: Act II: Scene 13: Deh! Scusa i trasporti
  9. Otello, opera: Act II: No. 7 Duetto: Non m'inganno: al mio rivale
  10. Otello, opera: Act II: No. 8 Terzetto: Ah! vieni, nel tuo sangue vendicherò le offese
  11. Otello, opera: Act II: No. 8 Terzetto: Che fiero punto e questo
  12. Le siège de Corinthe (The Siege of Corinth), opera: Act III: Scene 3: Grand Dieu, faut-il qu'un peuple
  13. Le siège de Corinthe (The Siege of Corinth), opera: Act III: Scene 4 & 5: Cher Cléomène
  14. Le siège de Corinthe (The Siege of Corinth), opera: Act III: Scene 4 & 5: Céleste providence
  15. Armida, opera: Act III: Scene 6: In quale aspetto imbelle
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Amici e Rivali -- friends and rivals (not "frenemies," but generally one or the other) -- are terms that suffice to describe the contents of Rossini's rather slender output of tenor duets, in general not a common form in 19th century opera. Tenors Lawrence Brownlee and Michael Spyres don't have a lot to work with to put together an entire program, and one of the attractions of this Warner Classics/Erato release is how well they do at this: the sequence of pieces feels something like an opera. It lacks a slam-bang finale, ...

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