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Responses to Ives - Heather O'Donnell (piano)
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  1. Study No. 21: Some Southpaw Pitching, etude for piano, S. 105 (K. 3B17)
  2. The missing nail at the river, for piano & toy piano
  3. Set of Five Take-Offs, for piano, S. 122 (K. 3B16)
  4. Song of Myself, for piano
  5. Four Transcriptions from "Emerson", for piano, S. 123 (K. 3B21): 2. Moderato
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  1. Study No. 21: Some Southpaw Pitching, etude for piano, S. 105 (K. 3B17)
  2. The missing nail at the river, for piano & toy piano
  3. Set of Five Take-Offs, for piano, S. 122 (K. 3B16)
  4. Song of Myself, for piano
  5. Four Transcriptions from "Emerson", for piano, S. 123 (K. 3B21): 2. Moderato
  6. Essay (after a sonata), for piano
  7. Four Transcriptions from "Emerson", for piano, S. 123 (K. 3B21): 3. Largo
  8. Study No. 9: The Anti-Abolitionist Riots in the 1830s & 1840s, for piano, S. 97 (K. 3B17)
  9. The Celestial Potato Fields, for chorus
  10. Burlesque Harmonizations of "London Bridge", for organ (or piano), S. 428 (K. 7C5)
  11. And Tomorrow..., for piano & electronics
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One thing's for certain; when it came to questions, American composer Charles Ives preferred to leave them unanswered or at least open-ended. Ives' restlessly exploratory mind sought out the farthest reaches of music with the resources he had at hand, but upon reaching the edges of the universe, he was strangely incurious about the resolution; it wasn't about the answer so much as it was about the journey. Nevertheless, Ives' plunge into the unknown has provided a good deal of inspiration to contemporary composers, more so ...

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Responses to Ives 2009, Mode Records

UPC: 764593021124

CD