My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on ...
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My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J. G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij- dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte- Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.
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Add this copy of Rembrandt and His Critics 1630-1730 to cart. $32.00, very good condition, Sold by Common Crow Books rated 5.0 out of 5 stars, ships from Pittsburgh, PA, UNITED STATES, published 1953 by Martinus Nijhoff.
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Very good+ in good jacket. Black cloth boards in dust jacket, octavo, illustrated in b&w. Book has mild edgewear and rubbing to boards and spine, binding tight, text clean and unmarked but gently toned throughout. DJ has chips and tears to edges, rubbing and toning. From the collection of Dwight Miller, a professor of art at Stanford University, specializing in Italian painting of the 17th and 18th centuries, with a particular emphasis on Marcantonio Franceschini, founder of the Bolognese Academy.
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New. Trade paperback (US). Glued binding. 272 p. Contains: Unspecified, Illustrations, black & white. Utrechtse Bijdragen Tot de Kunstgeschiedenis, 2. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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New. Print on demand Trade paperback (US). Glued binding. 272 p. Contains: Unspecified, Illustrations, black & white. Utrechtse Bijdragen Tot de Kunstgeschiedenis, 2.
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Edition:
New York: Hacker Art Books, 1989
Hardcover
Details:
Publisher:
New York: Hacker Art Books, 1989
Language:
English
Alibris ID:
14547048775
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8vo. [240 pp]. Hard-cover. New, in publisher's shrink wrap. Minor bump to bottom of book. Orange and beige cloth boards. 45 B&W plates throughout.
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New. C. Trade paperback (US). Glued binding. 272 p. Contains: Unspecified, Illustrations, black & white. Utrechtse Bijdragen Tot de Kunstgeschiedenis, 2.
