This book applies some of the procedures of modern critical theory (in particular reception-theory, deconstruction, theories of dialogue and the hermeneutics associated with the German philosopher Gadamer) to the interpretation of Latin poetry. Charles Martindale argues that we neither can nor should attempt to return to an 'original' meaning for ancient poems, free from later accretions and the processes of appropriation; more traditional approaches to literary enquiry conceal a metaphysics which has been put in question ...
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This book applies some of the procedures of modern critical theory (in particular reception-theory, deconstruction, theories of dialogue and the hermeneutics associated with the German philosopher Gadamer) to the interpretation of Latin poetry. Charles Martindale argues that we neither can nor should attempt to return to an 'original' meaning for ancient poems, free from later accretions and the processes of appropriation; more traditional approaches to literary enquiry conceal a metaphysics which has been put in question by various anti-foundationalist accounts of the nature of meaning and the relationship between language and what it describes. From this perspective the author examines different readings of the poetry of Virgil, Ovid, Horace and Lucan, in order to suggest alternative ways in which those texts might more profitably be read. Finally he focuses on a key term for such study 'translation' and examines the epistemological questions it raises and seeks to circumvent.
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Very Good+ in Very Good dust jacket. 0521417171. Minor shelfwear. Light bump to 1 corner.; This book applies some of the procedures of modern critical theory to the interpretation of Latin poetry. The author argues for an approach that sees the meaning of a text as always and necessarily involved in the process of "reception, " that is the way it has been read and interpreted from the time of its composition down to the present day. A study of its reception-history facilitates novel and more profitable ways of reading. He illustrates his approach with exemplary readings of Virgil, Ovid, Horace and Lucan.; Roman Literature And Its Contexts; 8.1 X 5.3 X 0.6 inches; 135 pages.