A characteristic feature of Wagnerian and post-Wagnerian opera is the tendency to link scenes with numerous and often surprisingly lengthy orchestral interludes, frequently performed with the curtain closed. Often taken for granted or treated as a filler by audiences and critics, these interludes can take on very prominent roles, representing dream sequences, journeys and sexual encounters, and in some cases becoming a highlight of the opera. Christopher Morris investigates the implications of these important but strangely ...
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A characteristic feature of Wagnerian and post-Wagnerian opera is the tendency to link scenes with numerous and often surprisingly lengthy orchestral interludes, frequently performed with the curtain closed. Often taken for granted or treated as a filler by audiences and critics, these interludes can take on very prominent roles, representing dream sequences, journeys and sexual encounters, and in some cases becoming a highlight of the opera. Christopher Morris investigates the implications of these important but strangely overlooked passages. Combining close readings of individual musical texts with an investigation of the critical discourse surrounding the operas, Morris shows how the interludes shed light not only on the representational and narrative capacities of the orchestra, but also on the supposed 'absolute' realm of instrumental music, a concept to which many critics appealed when they associated the interludes with 'purely musical' and 'symphonic' qualities.
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Add this copy of Reading Opera between the Lines: Orchestral Interludes to cart. $39.24, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2007 by Cambridge University Press.
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New. Print on demand Trade paperback (US). Contains: Printed music items. New Perspectives in Music History and Criticism . 43 music examples. Intended for professional and scholarly audience.
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Add this copy of Reading Opera between the Lines: Orchestral Interludes to cart. $47.59, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 2007 by Cambridge University Press.
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New. D. Trade paperback (US). Contains: Printed music items. New Perspectives in Music History and Criticism . 43 music examples. Intended for professional and scholarly audience.
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First Edition. Hardback. Dust Jacket. 8vo. Original publishers black cloth, lettered silver at the spine. ISBN: 0521807387 Pages: 232 Fine in fine dust jacket.
Add this copy of Reading Opera Between the Lines: Orchestral Interludes to cart. $68.33, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2007 by Cambridge University Press.
Add this copy of Reading Opera between the Lines: Orchestral Interludes to cart. $109.51, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2002 by Cambridge University Press.
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New. Print on demand Contains: Printed music items. New Perspectives in Music History and Criticism . 43 music examples. Intended for professional and scholarly audience.
Add this copy of Reading Opera between the Lines: Orchestral Interludes to cart. $129.81, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 2002 by Cambridge University Press.
Add this copy of Reading Opera between the Lines: Orchestral Interludes to cart. $143.69, new condition, Sold by Booksplease rated 3.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2002 by Cambridge University Press.
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New. Contains: Printed music items. New Perspectives in Music History and Criticism . 43 music examples. Intended for professional and scholarly audience.
