Originally recorded in 1987 and 1991, these solid performances of Prokofiev's Violin Concertos No. 1 and No. 2 and the Violin Sonata No. 2 are worthy additions to EMI's Encore series. Violinist Frank Peter Zimmermann is noted for his clear intonation, firm timbral control, and precise execution, but he is also quite expressive and passionate; this fine balance holds him in good stead in Prokofiev's concertos, which are always poised on the knife-edge between Classical and Romantic impulses. Even so, there are subtle but ...
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Originally recorded in 1987 and 1991, these solid performances of Prokofiev's Violin Concertos No. 1 and No. 2 and the Violin Sonata No. 2 are worthy additions to EMI's Encore series. Violinist Frank Peter Zimmermann is noted for his clear intonation, firm timbral control, and precise execution, but he is also quite expressive and passionate; this fine balance holds him in good stead in Prokofiev's concertos, which are always poised on the knife-edge between Classical and Romantic impulses. Even so, there are subtle but marked differences in his interpretations, and Zimmermann seems to take the Violin Concerto No. 1 into fairly dark emotional depths, whereas the Violin Concerto No. 2 is perceptibly brighter and more extroverted. The Berlin Philharmonic, under Lorin Maazel, and the Philharmonia Orchestra, under Mariss Jansons, provide complementary support, and the interactions of the soloist and the ensembles are both well-timed and responsive. The Violin Sonata No. 2 may seem like filler after the two...
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