Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.
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Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.
Read Less
