In the charged political atmosphere of Northern Ireland, where two national identities compete for recognition and support, symbolic manifestations of the struggle are everywhere evident. They continue beyond as well as within the confines of the theater. Stage actors and social actors, playwrights and politicians give performances scripted to confirm and consolidate their particular definition of political reality. In this interdisciplinary volume, scholars from Northern Ireland, the United States, Canada, and England ...
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In the charged political atmosphere of Northern Ireland, where two national identities compete for recognition and support, symbolic manifestations of the struggle are everywhere evident. They continue beyond as well as within the confines of the theater. Stage actors and social actors, playwrights and politicians give performances scripted to confirm and consolidate their particular definition of political reality. In this interdisciplinary volume, scholars from Northern Ireland, the United States, Canada, and England examine the junctures of politics and performance in contemporary Northern Ireland. Four of the chapters are about performances that are intended primarily for live theater or television. The remaining five describe dramatic struggles played out in the pubs and drinking clubs of Protestant Ulster, local district councils, political organizations, the police force, and even the memories of young people. Symbolic struggle is particularly important during the current period of fragile cease-fires and brokered agreements in Northern Ireland. With the diminution of paramilitary action, more attention now focuses on symbolic performances. Each of the nine essays in this book tells us in its own distinct voice how the story of political conflict is constructed, manipulated, portrayed, and remembered. By juxtaposing essays on theatrical performance alongside social scientific analyses, the editors remind us of the reflexivity of political life in Northern Ireland. Taken together, the essays show how individuals have been shaped by the historical context of the Troubles and how they have used their performances, in the theater and on the stage of daily life, to define identities, reinforce ideologies, and build institutional support. Contributors include Jennifer C. Cornell, Maureen S. G. Hawkins, William A. Hazleton, Helen Lojek, Roger Mac Ginty, James White McAuley, Marilynn Richtarik, M???-che???l D. Roe, William Pegg, Kim Hodges, Rebecca A. Trimm, and Bill Rolston.
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Add this copy of Politics and Performance in Contemporary Northern to cart. $1.99, new condition, Sold by The Book Cellar rated 4.0 out of 5 stars, ships from Nashua, NH, UNITED STATES, published 1999 by University of Massachusetts Press.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 450grams, ISBN: 9781558491977.
Add this copy of Politics and Performance in Contemporary Northern to cart. $27.85, very good condition, Sold by Kennys.ie rated 5.0 out of 5 stars, ships from Galway, IRELAND, published 1999 by University of Massachusetts Press.
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Very Good. This interdisciplinary volume examines the junctures of politics and performance in contemporary Northern Ireland. Four chapters are about live theatre and television performances, and the remaining five chapters describe the dramatic struggles played out in various social settings. Editor(s): Harrington, John P.; Mitchell, Elizabeth J. Num Pages: 240 pages. BIC Classification: 1DBKN; AN; HBJD1; HBTB; JHM; JPA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 153 x 19. Weight in Grams: 354. 8vo. Standard paperback edition. Northern Ireland, Ulster. First edition. 1999. Paperback.....We ship daily from our Bookshop.