Taking up Lisa Brooks's notion of "spinning the binary" between oral and literary forms and Christopher Teuton's explication of the graphic mode, this book examines the uses that a range of Anishinaabe authors make of art and artists. Arguing that the mark on a surface intervenes in the works under scrutiny in such artificial divisions as precolonial/oral and postcontact/alphabetically literate societies, the text examines the ways Anishinaabe authors establish frameworks for continuity, resistance, and sovereignty in that ...
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Taking up Lisa Brooks's notion of "spinning the binary" between oral and literary forms and Christopher Teuton's explication of the graphic mode, this book examines the uses that a range of Anishinaabe authors make of art and artists. Arguing that the mark on a surface intervenes in the works under scrutiny in such artificial divisions as precolonial/oral and postcontact/alphabetically literate societies, the text examines the ways Anishinaabe authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture.
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Add this copy of Picturing Worlds: Visuality and Visual Sovereignty in to cart. $9.95, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2020 by Michigan State University Press.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
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