William H. Pinnell first issues an "invitation to investigate the magic of perspective and explore its wondrous surround," then escorts the beginning as well as the advanced student through the complex process of artistically conveying scene designs via the scenographic drawing. Step by step, he illustrates the principles of perspective that apply to stage design. Starting with a brief history of perspective, he furnishes all of the information designers will need to transform a blank surface into a unique expression of ...
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William H. Pinnell first issues an "invitation to investigate the magic of perspective and explore its wondrous surround," then escorts the beginning as well as the advanced student through the complex process of artistically conveying scene designs via the scenographic drawing. Step by step, he illustrates the principles of perspective that apply to stage design. Starting with a brief history of perspective, he furnishes all of the information designers will need to transform a blank surface into a unique expression of theatrical space. As Pinnell makes clear, a stage setting must be fully planned far in advance of its actual construction. Each designer must have a picture of how the setting will appear when it is ready for opening night. The scenic designer must then be able to render that picture, to communicate his or her ideas through a series of initial sketches that, combined with directorial consultation, eventually evolve into an approved plan for the actual setting. Many of these plans take the form of working drawings--floor plans, elevations, and the related schematics necessary for the shop staff to construct the design. Pinnell insists that as closely as possible, the model--the graphic and tangible rendering of the designer's vision--must reflect what the actual stage set will look like when the audience sees it in the performance. His concern is to show how one faithfully and accurately represents the actual, finished stage design through theatrical rendering. Pinnell achieves this goal through an introduction and six chapters. He provides the historical background in a chapter titled "The Perspective Phenomenon," which covers preclassical Greece, Greek and Roman notions of perspective, and the concepts of the Italian Renaissance. "The Perspective Grid: Learning the Basics" deals with drafting tools, drawing the perspective grid, and the basics of measuring on the perspective grid. "The Perspective Grid: Expanding the Basics" discusses transferring a simple interior setting, plotting curves, and creating levels. "The Perspective Grid: Variations" analyzes the thrust stage, the raked stage, and the two-point perspective grid. "Coloration and Form" explains varied backgrounds, color media, and rendering with gouache. Finally, "Presentation" explains protection, framing, duplication, and the portfolio. Except for the intricacies of the human anatomy, there is nothing a designer must draw scenically that is not covered in this book.
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Add this copy of Perspective Rendering for the Theatre to cart. $8.00, very good condition, Sold by Half Price Books Inc rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1996 by Southern Illinois University Pre.
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Add this copy of Perspective Rendering for the Theatre to cart. $34.48, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 1996 by Southern Illinois University Press.
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Fine. Trade paperback (US). Glued binding. 192 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Perspective Rendering for the Theatre to cart. $34.49, like new condition, Sold by Alien Bindings rated 5.0 out of 5 stars, ships from BALTIMORE, MD, UNITED STATES, published 1996 by Southern Illinois University Press.
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Fine. "Perspective Rendering for the Theatre" by William Pinnell offers a comprehensive guide to the intricate art of conveying scene designs through scenographic drawing. This Softcover First Edition, published on November 29, 1996, is in Like New condition, making it an invaluable resource for both beginning and advanced students of stage design. The covers of this edition are exceptionally well-preserved, showing only the faintest hint of shelf wear, indicative of minimal handling. The binding remains square and tight, ensuring that each page is securely in place for easy reference. While faint abrasion is noted on the front flyleaf, the interior pages are clean and unmarked, allowing readers to immerse themselves in the wealth of information presented within. Pinnell begins by extending an invitation to explore the magic of perspective and its application in theatrical design. Through a series of step-by-step instructions, he guides readers through the process of artistically conveying scene designs, from drafting tools and drawing the perspective grid to coloration and presentation techniques. The book covers a wide range of topics, including a brief history of perspective, basics of measuring on the perspective grid, transferring interior settings, plotting curves, and creating levels. Pinnell also discusses variations in perspective grids, color media, rendering with gouache, and the importance of accurately representing the finished stage design through theatrical rendering. Through an introduction and six chapters, Pinnell provides comprehensive coverage of all aspects of perspective rendering for the theatre, ensuring that designers have the necessary tools to bring their visions to life on stage. Each chapter is accompanied by clear illustrations and practical advice, making this book an indispensable resource for theatrical artists. In addition to its instructional content, "Perspective Rendering for the Theatre" includes editorial reviews praising its clarity and usefulness. William H. Pinnell's expertise as an associate professor of theatre at the University of Windsor shines through in this meticulously crafted guide. Your copy of "Perspective Rendering for the Theatre" will be carefully packaged for shipment, ensuring its protection from the elements. A complimentary USPS electronic tracking number will be provided, allowing you to monitor its journey with ease. For further information or additional pictures regarding the book, please feel free to contact us. 192 pages.
Add this copy of Perspective Rendering for the Theatre to cart. $37.45, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 1996 by Southern Illinois University Press.
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New. Trade paperback (US). Glued binding. 192 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Perspective Rendering for the Theatre Format: Paperback to cart. $37.46, new condition, Sold by Websew Inc rated 4.0 out of 5 stars, ships from Avenel, NJ, UNITED STATES, published 1996 by Southern Illinois University Press.
Add this copy of Perspective Rendering for the Theatre to cart. $50.49, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 1996 by Southern Illinois University Press.
