Perception itself is playfully subjectivized by the trio of younger artists collaborating in the newest issue of Parkett . Infusing a poetic sensuality into Minimalism's legacy, Gabriel Orozco's works vary from sculptural triumphs to more ephemeral, performative acts, such as rolling a huge ball of plasticine, of exactly his own body weight, through the streets in order to "get an impression" of the world around him. Gary Hume's paintings range from geometric abstractions to almost psychedelic figuration, his luscious ...
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Perception itself is playfully subjectivized by the trio of younger artists collaborating in the newest issue of Parkett . Infusing a poetic sensuality into Minimalism's legacy, Gabriel Orozco's works vary from sculptural triumphs to more ephemeral, performative acts, such as rolling a huge ball of plasticine, of exactly his own body weight, through the streets in order to "get an impression" of the world around him. Gary Hume's paintings range from geometric abstractions to almost psychedelic figuration, his luscious colors and glistening surfaces both entice and repel the viewer. For Pipilotti Rist, the game of perceptual experience focuses on performance, in videos and installations whose manipulations of the figure and its movements seem to form and dissolve before our eyes.
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Add this copy of Parkett No. 48 to cart. $16.00, very good condition, Sold by Common Crow Books rated 5.0 out of 5 stars, ships from Pittsburgh, PA, UNITED STATES, published 1996 by Parkett-Verlag.
Add this copy of Parkett: Vol 48 to cart. $40.93, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 1997 by Distributed Art Pub Inc.
