Paperhouse boasts a sensitivity and atmosphere rare among the scores of Hans Zimmer. While still suffering from a few of the composer's Grand Guignol excesses, its sinister electronic palette is undeniably impressive. Themes like "Is Anybody There?" and "The Staircase" subscribe to a less-is-more ethos seemingly anathema to the Zimmer aesthetic -- synthetic strings and eerily spacious melodies rely on the listener's imagination to conjure the mystery and dread lurking around every melodic corner. Only with the epic finale ...
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Paperhouse boasts a sensitivity and atmosphere rare among the scores of Hans Zimmer. While still suffering from a few of the composer's Grand Guignol excesses, its sinister electronic palette is undeniably impressive. Themes like "Is Anybody There?" and "The Staircase" subscribe to a less-is-more ethos seemingly anathema to the Zimmer aesthetic -- synthetic strings and eerily spacious melodies rely on the listener's imagination to conjure the mystery and dread lurking around every melodic corner. Only with the epic finale "Me and My Daughter, We Get on Like a House on Fire" does the composer overplay his hand, marshaling electric guitar shrieks, thundering percussion, and tortured vocals to drive home the point with his usual sledgehammer-like subtlety. ~ Jason Ankeny, Rovi
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Add this copy of Paperhouse to cart. $8.49, very good condition, Sold by Half Price Books Inc rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1989 by Bmg Music.
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Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!