Add this copy of The Paper Museum to cart. $14.53, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 1997 by Fontana Press.
Add this copy of Paper Museum: Writings About Painting, Mostly to cart. $18.92, very good condition, Sold by Half Price Books Inc rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1996 by HarperCollins Publishers.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Add this copy of Paper Museum: Writings About Painting, Mostly to cart. $25.00, very good condition, Sold by The Wild Muse rated 3.0 out of 5 stars, ships from Granville, NY, UNITED STATES, published 1996 by Harpercollins.
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Seller's Description:
Near Fine in Near Fine jacket. 8vo. First edition. Hard cover in dust jacket. Published London: HarperCollins, 1996, first printing. 8vo., xii+384pp., illustrated with b/w plates. Near fine in near fine dust jacket.
Add this copy of Paper Museum to cart. $25.23, like new condition, Sold by Hay-on-Wye Booksellers rated 4.0 out of 5 stars, ships from Hereford, UNITED KINGDOM, published 1996 by HarperCollins Publishers Ltd.
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Seller's Description:
Fine. Dust jacket has light scratches and outer edges have minor scuffs. Book content is in like new condition. 416 p. Intended for college/higher education audience. Intended for professional and scholarly audience.
Add this copy of Paper Museum: Writings About Painting, Mostly to cart. $31.47, good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 1996 by HarperCollins Publishers.
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VG-/VG-clean and tight but with general shelf wear; some age toning to page margins. Black boards; gilt lettering. Black/color-illus. dj. xii, 384 pp. occasional bw plates. This work is made up of 80 essays on a widely diverse range of subjects-English and French painting of all periods, Grand Masters, Modernists and post-moderns. To all of them, Graham Dixon brings insight unmatched by any other British commentator on pictures or sculpture, inprose which is not only oftern very moving in itself, but can actually convey and enhance the experience of looking at the works of art themselves.
