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Panis angelicus: Favourite Motets from Westminster Cathedral - Andrew Carwood (tenor); Eamonn O'Dwyer (treble); Iain Simcock (organ); Mark Kennedy (treble); Nicholas Keay (tenor); Westminster Cathedral Choir (choir, chorus); James O'Donnell (conductor)
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  1. Ave Maria, sacred piece for soloists, chorus & continuo in A major, Op. 23/2
  2. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, joy of man's desiring
  3. Panis angelicus, for voice, organ, harp, cello & double bass
  4. Ave verum corpus
  5. O salutaris hostia, for mixed voices
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  1. Ave Maria, sacred piece for soloists, chorus & continuo in A major, Op. 23/2
  2. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, joy of man's desiring
  3. Panis angelicus, for voice, organ, harp, cello & double bass
  4. Ave verum corpus
  5. O salutaris hostia, for mixed voices
  6. Faire Is the Heaven, for chorus
  7. Ave Maria, for female chorus, Op. 9b, H. 49
  8. Ave Maria, for voice & piano, CG 89e (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1)
  9. Maria Mater gratiae, offertory for tenor, baritone & organ, Op. 47/2
  10. Ave verum, motet for chorus, Op. 2/1
  11. Ave verum corpus, motet for chorus, strings & organ, K. 618
  12. Ave Maris Stella, for double chorus, EG 150
  13. Tantum Ergo, for chorus
  14. Hymne à la Vierge, for chorus
  15. Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132)
  16. Symphony No. 2 in B flat major ("Lobgesang", "Hymn of Praise"), Op. 52: I waited for the Lord
  17. Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11
  18. Nunc Dimittis, for chorus, H. 127
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