This volume, created by the Metropolitan Museum of Art, New York, shows Florentine miniatures produced between 1300 and 1450. A group of bound manuscripts and single leaves from disassembled books, is joined with panel paintings, drawings, embroideries, and reverse paintings on glass.
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This volume, created by the Metropolitan Museum of Art, New York, shows Florentine miniatures produced between 1300 and 1450. A group of bound manuscripts and single leaves from disassembled books, is joined with panel paintings, drawings, embroideries, and reverse paintings on glass.
Read Less
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $7.67, good condition, Sold by Project HOME rated 5.0 out of 5 stars, ships from Philadelphia, PA, UNITED STATES, published 1995 by Metropolitan Museum of Art New York.
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $8.02, very good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Brownstown, MI, UNITED STATES, published 1995 by Metropolitan Museum of Art New York.
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $8.02, good condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1995 by Metropolitan Museum of Art New York.
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $8.02, good condition, Sold by ThriftBooks-Baltimore rated 4.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 1995 by Metropolitan Museum of Art New York.
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $10.00, very good condition, Sold by HPB-Ruby rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1995 by Harry N. Abrams.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $16.00, like new condition, Sold by BingoBooks2 rated 4.0 out of 5 stars, ships from Vancouver, WA, UNITED STATES, published 1995 by Harry N. Abrams Incorporated.
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $18.00, very good condition, Sold by Chaparral Books rated 5.0 out of 5 stars, ships from Portland, OR, UNITED STATES, published 1995 by Harry N. Abrams Incorporated.
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Very Good in Very Good jacket. Size: 11x10x1; The binding is tight, top corners lightly bumped. Text and images unmarked. The dust jacket shows some very light handling, in a mylar cover. 4to. x, 394pp.
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $21.00, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 1994 by The Metropolitan Museum of Art.
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VG but for previous owner's name and address stamp inside on half title page, light wear to corners, slight curling to front cover. Gold color pictorial wraps with 394 pp.; 55 color plates and 135 bw figures; . Erratum taped inside front cover. Contents as follows: The illuminators of early Renaissance Florence / Laurence B. Kanter--The books of the Florentine illuminators / Barbara Drake Boehm--Fra Angelico studies / Carl Brandon Strehlke--Painting and illumination in early Renaissance Florence, 1300-1450 / Barbara Drake Boehm [and others]. During the incredible efflorescence of the visual arts in Florence of the fourteenth and fifteenth centuries, some artists turned their hands equally to various media, manuscript painting among them. In the fourteenth century these included one of the most mysterious and engaging personalities of early Renaissance Italian painting, the Master of the Codex of Saint George, as well as such artists as Pacino di Bonaguida, the Maestro Dadesco, the Master of the Dominican Effigies, Don Silvestro dei Gherarducci, and Don Simone Camaldolese. Toward the close of the fourteenth century, there emerged in the same Camaldolese ambiance where Don Silvestro and Don Simone flourished a major artist of international stature, Lorenzo Monaco. Don Lorenzo eventually left the monastery to operate a secular workshop that became an important force in the early-fifteenth-century Florentine art world, producing lavish illuminated manuscripts in addition to frescoes, altarpieces, and numerous pictures for a growing domestic market. One of Don Lorenzo's greatest legacies may have been the training of Fra Angelico, a Dominican monk and a painter of surpassing genius, who is in large part responsible for the evolution of a truly Renaissance style in the visual arts. The innovative naturalism of Angelico and his followers effectively brings to a close the great age of illumination in Early Renaissance Florence. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons-the result of the author's recent archival research in Florence.
Add this copy of Painting and Illumination in Early Renaissance Florence to cart. $21.00, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 1994 by The Metropolitan Museum of Art.
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Seller's Description:
VG/VG. Red cloth with goldish color pictorial glossy dustjacket. 394 pp.; 55 color plates and 135 bw figures; . Erratum taped inside front cover. Contents as follows: The illuminators of early Renaissance Florence / Laurence B. Kanter--The books of the Florentine illuminators / Barbara Drake Boehm--Fra Angelico studies / Carl Brandon Strehlke--Painting and illumination in early Renaissance Florence, 1300-1450 / Barbara Drake Boehm [and others]. During the incredible efflorescence of the visual arts in Florence of the fourteenth and fifteenth centuries, some artists turned their hands equally to various media, manuscript painting among them. In the fourteenth century these included one of the most mysterious and engaging personalities of early Renaissance Italian painting, the Master of the Codex of Saint George, as well as such artists as Pacino di Bonaguida, the Maestro Dadesco, the Master of the Dominican Effigies, Don Silvestro dei Gherarducci, and Don Simone Camaldolese. Toward the close of the fourteenth century, there emerged in the same Camaldolese ambiance where Don Silvestro and Don Simone flourished a major artist of international stature, Lorenzo Monaco. Don Lorenzo eventually left the monastery to operate a secular workshop that became an important force in the early-fifteenth-century Florentine art world, producing lavish illuminated manuscripts in addition to frescoes, altarpieces, and numerous pictures for a growing domestic market. One of Don Lorenzo's greatest legacies may have been the training of Fra Angelico, a Dominican monk and a painter of surpassing genius, who is in large part responsible for the evolution of a truly Renaissance style in the visual arts. The innovative naturalism of Angelico and his followers effectively brings to a close the great age of illumination in Early Renaissance Florence. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons-the result of the author's recent archival research in Florence.