Skip to main content alibris logo
Pachelbel: Arien & Concerti - Emma Kirkby (soprano); Jan Kobow (tenor); Kai Wessel (alto); Klaus Mertens (bass); London Baroque; Michael Maisch (trumpet)
Filter Results
Shipping
Item Condition
Seller Rating
Other Options
Change Currency
Track Listing
  1. Christ ist erstanden, cantata for soprano, violin & continuo (Bsb 30094; doubtful)
  2. Es muß die Sinnen ja erfreuen, aria for voice, 2 violins & continuo, T. 438
  3. Geliebtes Vatterhertz, aria for voice, 2 violins, 2 violas & continuo (or cello), T. 439
  4. Die freuderfüllten Abendstunden, aria for voice, 2 violins, 2 violas & continuo, T. 437
  5. Augen, streuet Perlen-Tränen, aria for 2 voices, 2 violas, bass viol & continuo, T. 432
Show All Tracks
  1. Christ ist erstanden, cantata for soprano, violin & continuo (Bsb 30094; doubtful)
  2. Es muß die Sinnen ja erfreuen, aria for voice, 2 violins & continuo, T. 438
  3. Geliebtes Vatterhertz, aria for voice, 2 violins, 2 violas & continuo (or cello), T. 439
  4. Die freuderfüllten Abendstunden, aria for voice, 2 violins, 2 violas & continuo, T. 437
  5. Augen, streuet Perlen-Tränen, aria for 2 voices, 2 violas, bass viol & continuo, T. 432
  6. Mein Leben, dessen kreuz, aria for voice, 4 violas, bass viol & continuo, T. 443
  7. Wie nichtig? ach, aria for voice, 3 violas & continuo, T. 448
  8. Ach Herr, wie ist meiner Feinde so viel, cantata for bass, violin & continuo
  9. Der Widder Abrahams, aria for 2 voices, 2 violins & continuo, T. 436
  10. Auf, werte Gäst, aria for voice, 2 violins & continuo, T. 431
  11. Guter Walther unsers Rats, aria for voice, 2 violins, 2 violas & continuo, T. 440
  12. O großes Musenliecht, aria for voice, 2 violins, 2 violas da gamba & continuo, T. 444
  13. Mäcenas lebet noch, aria for voice, trumpet, 2 violins, 2 violas & continuo, T. 442
  14. Das Gewitter im Aprilen, aria for voice, 2 violins & continuo, T. 434
Show Fewer Tracks
Browse related Genres
+ Browse All Genres

For anyone who ever wondered what Pachelbel was up to when he wasn't writing his Canon in D, this CD offers some lovely answers. (He was also playing the organ and teaching, and one of his students was Johann Sebastian Bach, in whose works it's possible to detect Pachelbel's influence.) While there is nothing as immediately catchy as the Canon, the sacred and secular arias and vocal concertos recorded here reveal a composer with a gift for attractive vocal writing and inventive instrumental accompaniments. Soprano Emma ...

loading