Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $8.26, very good condition, Sold by ThriftBooks-Reno rated 5.0 out of 5 stars, ships from Reno, NV, UNITED STATES, published 2002 by MIT Press.
Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $8.48, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2002 by The MIT Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $17.98, fair condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 2002 by MIT Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1000grams, ISBN: 0262011867.
Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $28.00, like new condition, Sold by Robert Campbell Bookseller rated 4.0 out of 5 stars, ships from Montreal, QC, CANADA, published 2002 by Cambridge: Mit Press, 2002.
Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $39.06, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2002 by The MIT Press.
Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $40.00, very good condition, Sold by Grey Matter Books rated 5.0 out of 5 stars, ships from Hadley, MA, UNITED STATES, published 2002 by The MIT Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in Very Good jacket. Text is unmarked; pages are bright. Binding is slightly cocked; covers are slightly bowed. Dust jacket shows just a little edgewear. 328pp.
Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $94.46, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2024 by MIT Press.
Add this copy of Origins, Imitation, Conventions: Representation in the to cart. $117.00, very good condition, Sold by Expatriate Bookshop rated 5.0 out of 5 stars, ships from Svendborg, DENMARK, published 2002 by MIT Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Minor rubbing. VG., Dustwrapper. 28x20cm, xi, 328 pp. Contents: On origins of art history and criticism--The origins of architectural drawing in the Middle Ages and Renaissance--Leonardo da Vinci's church designs--On the origins of architectural photography--Imitation--Art and science in the drawings of Leonardo da Vinci--The aesthetics of architecture in the Renaissance--The influence of antiquity on Italian Renaissance villas--Daniele Barbaro and Vitruvius--Palladio: classical in what sense? --Thomas Jefferson and Italy--The conventions and rhetoric of architectural drawing. ["This collection contains studies written by art historian James Ackerman during the 1990s. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past-which may act not only as a restraint but as a challenge and stimulus-and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences.., ."-Publisher's description].
