This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the ...
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This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the nineteenth-century works of Ralph Waldo Emerson and Ernest Fenollosa and the twentieth-century creations of Ezra Pound and Gary Snyder, Kern sheds light on the three contemporary nexuses of his search: the cultural study of Orientalism and the West, the evolution of Indo-European linguistic theory, and the intellectual tradition of American modernist poetry.
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Add this copy of Orientalism, Modernism, and the American Poem to cart. $51.09, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2009 by Cambridge University Press.
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First Edition. Hardback. Dust Jacket. 8vo. Original publisher's black cloth, lettered gilt at the spine. ISBN: 0521496136 Pages: 336 Fine in somewhat faded, close very good dust jacket.
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