PRAISE FOR THE PREVIOUS EDITIONS: "If you are for opera, this book is for you."--"New York Times Book Review" "The most influential recent book on opera criticism. . .in the English-speaking world"--"New Grove Dictionary of Opera" "Affords the serious reader and listener an absorbing encounter with a sensitive and superbly trained intelligence in the act of thinking about music and music criticism. . .. We come away remembering the sound of Kerman's prose voice, mellifluous, elegant, eminently civilized, beneath its cool ...
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PRAISE FOR THE PREVIOUS EDITIONS: "If you are for opera, this book is for you."--"New York Times Book Review" "The most influential recent book on opera criticism. . .in the English-speaking world"--"New Grove Dictionary of Opera" "Affords the serious reader and listener an absorbing encounter with a sensitive and superbly trained intelligence in the act of thinking about music and music criticism. . .. We come away remembering the sound of Kerman's prose voice, mellifluous, elegant, eminently civilized, beneath its cool control a ground bass of urgent feeling."--"San Francisco Chronicle Book Review" "The author's clarity and pungency...make for enjoyable, challenging reading. It is a collection that can tease the person who is primarily interested in opera into wanting to explore the song literature of the English Renaissance or to listen more knowledgeably to Mozart's piano concertos and Beethoven's symphonies."--William Ashbrook, "Opera Quarterly " "Kerman's musicological activity is technical without neglecting the importance of text, cultural context, meaning, expression, and value, and is likely to appeal to educated lay people.... Kerman's scholarship is careful and sensitive, and often subtle and witty. Yet this subtle scholarship has evoked strong and widespread reaction and provided significant leadership within musicology and beyond."--Renee Cox Lorraine, "Notes " "Lucid, lively.... Many aspects of his work can provide inspiration."--Oliver Neighbour, "Music and Letters "
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Add this copy of Opera as Drama: Fiftieth Anniversary Edition to cart. $12.56, good condition, Sold by SurplusTextSeller rated 5.0 out of 5 stars, ships from Columbia, MO, UNITED STATES, published 2005 by University of California Press.
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Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
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Very Good- 5.5 X 0.7 X 8.25 inches; 249 pages; Light scuffing to the exterior edge of pages only. Great overall condition. Minor cosmetic wear. No noteworthy blemishes. No writing.; -We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.
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Good. Trade paperback (US). Glued binding. 249 p. Contains: Illustrations, black & white. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Very Good. 0520246926. A Good Read ships from Toronto and Niagara Falls, NY-customers outside of North America please allow two to three weeks for delivery. Some edgeweare to wrapper.; 8.1 X 5.4 X 0.7 inches; 249 pages.
Add this copy of Opera as Drama: Fiftieth Anniversary Edition to cart. $37.53, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2005 by University of California Press.