Helen of Troy is in mourning for her dead husband, Paris. Killed in single combat with the merciless Apollo, his body is nothing but a scorched and blasted thing. Hockenberry, her lover, still sneaks from her bed after their nights of lovemaking. And the gods still strike out from the besieged Olympos, their single-molecule bomb casings quantum phase-shifting through the moravecs' force shield and laying waste to Ilium. Or so Hockenberry and the amusing little metal creature, Mahnmut, have tried to explain to her. Helen of ...
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Helen of Troy is in mourning for her dead husband, Paris. Killed in single combat with the merciless Apollo, his body is nothing but a scorched and blasted thing. Hockenberry, her lover, still sneaks from her bed after their nights of lovemaking. And the gods still strike out from the besieged Olympos, their single-molecule bomb casings quantum phase-shifting through the moravecs' force shield and laying waste to Ilium. Or so Hockenberry and the amusing little metal creature, Mahnmut, have tried to explain to her. Helen of Troy does not give a fig about machines. She must dress for the funeral. And man and the gods and the unknown players in this tragedy must prepare for the final act. And a battle that will decide the future of the universe itself.
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I thought Dan Simmons had written himself into a corner with "Ilium," his mind-bending, classic literature sampling, time hopping saga of future Earth and Mars, genetically improved humans, post-humans, cyborgs, and alternative universes.
Luckily, it turns out that Mr. Simmons is a nimble author, and he knew what he was doing when he spun himself a narrative web this complicated.
While "Olympos" was in itself an engaging read, with plenty of action, emotion, and tragedy, I was especially pleased to find that the story went beyond these surface pleasures, and the author had a deeper point to make about the power of human creativity and history and consciousness.
I will probably add these two books to my permanent collection.