No one except psychedelic Renaissance man Alexander "Skip" Spence could have created an album such as Oar. Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated to cut-out and bargain bins shortly after its release in the spring of 1969. However, those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, this album is a warped blend ...
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No one except psychedelic Renaissance man Alexander "Skip" Spence could have created an album such as Oar. Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated to cut-out and bargain bins shortly after its release in the spring of 1969. However, those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, this album is a warped blend of acid folk and far-out psychedelic rock. While these original compositions do draw heavily from those genres, each song has the individuality of a fingerprint, and Spence performed and produced every sound on the album himself at Columbia studios in Nashville in the space of less than two weeks. This burst of creativity was directly preceded by a six-month incarceration in New York City's Bellevue Hospital after chopping down a door at the Albert Hotel en route to do the same to fellow Moby Grape members Jerry Miller's and Don Stevenson's doors. A common motif to this album is the presence of saints and demons. Even the straightforward narratives such as the love ballads "Broken Heart" and "Cripple Creek" -- which feature vocal treatments reminiscent of folkie Fred Neil -- are bathed in unusual chord sequences and lyrical double-entendre. The majority of the sounds on this long player remain teetering near the precipice of sanity. Primary examples include "War in Peace," the epic "Grey/Afro," and the sound effect-laden "Books of Moses." Comparisons have been made to Syd Barrett, John Lennon, and Frank Zappa -- the latter especially for the intense sonic collage techniques displayed on albums such as Lumpy Gravy and Civilization Phase III. ~ Lindsay Planer, Rovi
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Add this copy of Oar-Expanded Edition to cart. $12.58, very good condition, Sold by HPB-Diamond rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2017 by Sony Music Canada Inc.
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Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Oar-Expanded Edition to cart. $13.69, fair condition, Sold by Goodwill of Colorado rated 5.0 out of 5 stars, ships from COLORADO SPRINGS, CO, UNITED STATES, published 1999 by Sundazed.
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Fair. All our items come in the original case with artwork, though manuals and slipcovers are not always guaranteed to be included as these items are donated goods and will show some wear and tear from normal use. Jewel cases will be included but may be damaged and/or cracked. We typically resurface discs that are visibly scratched prior to shipping, but we do not test disc(s). Digital codes may not be included and have not been tested to be redeemable and/or active. Thank you for shopping with Goodwill Colorado! Orders shipped Monday through Friday. Safe and Secure Bubble Mailer! Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!
Add this copy of Oar to cart. $59.09, new condition, Sold by Entertainment by Post - UK rated 2.0 out of 5 stars, ships from BRISTOL, SOUTH GLOS, UNITED KINGDOM, published 2011.