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O tu chara sciença: La musique dans la pensée médievale - La Reverdie
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Track Listing
  1. Apposte Messe
  2. Or sus vous dormés trop
  3. De luscinia (attrib. Fulbert de Chartres)
  4. Si dolce non sonò, madrigal for 3 voices, S. 210
  5. Segugi a corda
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  1. Apposte Messe
  2. Or sus vous dormés trop
  3. De luscinia (attrib. Fulbert de Chartres)
  4. Si dolce non sonò, madrigal for 3 voices, S. 210
  5. Segugi a corda
  6. Qui vult psallere
  7. Pantheon abluitur / Apollonis eclipsatur / Zodiacum signis lustrantibus, motet
  8. O tu chara sciença
  9. Musica son che mi dolgo, triple madrigal for 3 voices, S. 213
  10. Are post libamina / Nunc surgunt in populo, motet for 5 voices
  11. S' i', Monocordo Gentil
  12. Non più doglie ebbe Dido, ballata à 3 (Squarcialupi Codex No. 351)
  13. Chose Tassin
  14. Nu sculon herigean (attrib. Caedmon)
  15. In omnem terram, gradual
  16. Alleluya - Cantabant Sancti
  17. Laus Trinitati, antiphon
  18. Ysaias cecini / Tytire tu patule
  19. Alma polis religio / Axe poli cum artica, motet in 4 voices
  20. Lo Signore ringraçando
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Arcana's O tu chara Sciença, featuring Italian period instrument and vocal ensemble La Reverdie, is quite simply one of the best-ever recordings of music from the thirteenth and fourteenth centuries. Firstly, the very premise of the program transmits a complete understanding of the theoretical function of music in the late middle ages; music, at least among the learned, was neither an empty entertainment offered in the court or public square, nor was it purely understood as something to hang a sacred service upon to help it ...

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