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Nicola Porpora: Arias - Cecilia Bartoli (mezzo-soprano); Philippe Jaroussky (counter tenor); Venice Baroque Orchestra; Andrea Marcon (conductor)
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  1. Arianna e Teseo, opera: Mira in cielo
  2. Semiramide riconosciuta, opera (1st version): Sì pietoso il tuo labbro
  3. Semiramide regina dell'Assiria, opera: Come nave in ria tempesta
  4. Polifemo, opera: Placidetti zefiretti
  5. Polifemo, opera: Alto Giove
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  1. Arianna e Teseo, opera: Mira in cielo
  2. Semiramide riconosciuta, opera (1st version): Sì pietoso il tuo labbro
  3. Semiramide regina dell'Assiria, opera: Come nave in ria tempesta
  4. Polifemo, opera: Placidetti zefiretti
  5. Polifemo, opera: Alto Giove
  6. Mitridate, opera: La gioia ch'io sento
  7. Ifigenia in Aulide, opera: Le limpid'onde
  8. Polifemo, opera: Nell'attendere il mio bene
  9. Ifigenia in Aulide, opera: Nel già bramoso petto
  10. Orfeo, pasticcio opera: Dall'amor più sventurato
  11. Orfeo, pasticcio opera: Sente del mio martir
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Italian composer Nicola Porpora is mainly a footnote in the history books these days, noted as Haydn's teacher, but in his day he was a rival to Handel and wrote a good deal of music for the celebrated castrato Carlo Broschi, aka, Farinelli. That music is sampled here by the startlingly soprano-like French countertenor Philippe Jaroussky, and listeners are likely to feel that it's been unjustly neglected. Jaroussky sounds great, his creamy voice sailing through the mostly tuneful pieces. There are also a few big showpieces ...

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