A major reexamination of the novelist Vladimir Nabokov as "literary gamesman," this book systematically shows that behind his ironic manipulation of narrative and his puzzle-like treatment of detail there lies an aesthetic rooted in his intuition of a transcendent realm and in his consequent redefinition of "nature" and "artifice" as synonyms. Beginning with Nabokov's discursive writings, Vladimir Alexandrov finds his world view centered on the experience of epiphany--characterized by a sudden fusion of varied sensory data ...
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A major reexamination of the novelist Vladimir Nabokov as "literary gamesman," this book systematically shows that behind his ironic manipulation of narrative and his puzzle-like treatment of detail there lies an aesthetic rooted in his intuition of a transcendent realm and in his consequent redefinition of "nature" and "artifice" as synonyms. Beginning with Nabokov's discursive writings, Vladimir Alexandrov finds his world view centered on the experience of epiphany--characterized by a sudden fusion of varied sensory data and memories, a feeling of timelessness, and an intuition of immortality--which grants the true artist intimations of an "otherworld." Readings of The Defense, Invitation to a Beheading, The Gift, The Real Life of Sebastian Knight, Lolita, and Pale Fire reveal the epiphanic experience to be a touchstone for the characters' metaphysical insightfulness, moral makeup, and aesthetic sensibility, and to be a structural model for how the narratives themselves are fashioned and for the nature of the reader's involvement with the text. In his conclusion, Alexandrov outlines several of Nabokov's possible intellectual and artistic debts to the brilliant and variegated culture that flourished in Russia on the eve of the Revolution. Nabokov emerges as less alienated from Russian culture than most of his emigre readers believed, and as less "modernist" than many of his Western readers still imagine. "Alexandrov's work is distinctive in that it applies an 'otherworld' hypothesis as a consistent context to Nabokov's novels. The approach is obviously a fruitful one. Alexandrov is innovative in rooting Nabokov's ethics and aesthetics in the otherwordly and contributes greatly to Nabokov studies by examining certain key terms such as 'commonsense,' 'nature,' and 'artifice.' In general Alexandrov's study leads to a much clearer understanding of Nabokov's metaphysics."--D. Barton Johnson, University of California, Santa Barbara Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Add this copy of Nabokov's Otherworld to cart. $27.50, very good condition, Sold by West Side Book Shop, ABAA rated 4.0 out of 5 stars, ships from Ann Arbor, MI, UNITED STATES, published 1991 by Princeton University Press.
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Very Good-Fine in Fine jacket. Octavo. (8) 270 pp. First Edition, 1991. Not Price Clipped. "Not Added by University of Michigan Library" stamp on ffep. Some pencilings, else, Pristine, no wear. Some pencilings else, Pristine, no wear. Binding tight, pages bright and white. Brown cloth with black title plate and gilt lettering to spine. Acknowledgments, note on transliteration, Introduction: Nabokov's Metaphysics, Ethics, and Aesthetics; I. Speak, Memory and Other Discursive Writings; II. The Defense; III. Invitation to a Beheading; IV. The Gift; V. The Real Life of Sebastian Knight; VI. Lolita; VII. Pale Fire; Conclusion: Nabokov and the Silver Age of Russian Culture; notes, works cited, index. "A major reexamination of the novelist Vladimir Nabokov as "literary gamesman, " this book systematically shows that behind his ironic manipulation of narrative and his puzzle-like treatment of detail there lies an aesthetic rooted in his intuition of a transcendent realm and in his consequent redefinition of 'nature' and 'artifice, as synonyms. Beginning with Nabokov's discursive writings, the author finds his world view centered on the experience of epiphany--characterized by a sudden fusion of varied sensory data and memories, a feeling of timelessness, and an intuition of immortality--which grants the true artist intimations of an 'otherworld'"
Add this copy of Nabokov's Otherworld to cart. $42.77, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2014 by Princeton University Press.
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New. Trade paperback (US). Princeton Legacy Library . Intended for college/higher education audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Nabokov`S Otherworld to cart. $42.78, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2014 by Princeton University Press.
Add this copy of Nabokov's Otherworld (Princeton Legacy Library, 1157) to cart. $43.73, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1991 by Princeton University Press.
Add this copy of Nabokov's Otherworld to cart. $48.00, like new condition, Sold by art longwood books rated 5.0 out of 5 stars, ships from Gloucester, MA, UNITED STATES, published 1991 by Princeton University Press.
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Fine in Near Fine Plus jacket. 8vo-over 7¾"-9¾" tall. Cloth, hard cover in dust jacket. no flaws or wear. clean. no markings. no bumps, tears, clips or creases. tight binding. a very nice copy.; xi-270pp., examines nabokov's style and influences.
