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Mozart: Concert Arias - Carlo Colombo (bassoon); Frederic Tardy (oboe); Jean Estournet (violin); Natalie Dessay (soprano); Theodor Guschlbauer (conductor)
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  1. Ah se in ciel, benigne stelle, aria for soprano & orchestra, K. 538
  2. Vorrei spiegarvi, o Dio, aria for soprano & orchestra, K. 418
  3. No no, che non sei capace, aria for soprano & orchestra, K. 419
  4. Se tutti i mali miei, aria for soprano & orchestra, K. 83 (K. 73p)
  5. Popoli di Tessaglia...Io non chiedo, recitative and aria for soprano & orchestra, K. 316 (K. 300b)
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  1. Ah se in ciel, benigne stelle, aria for soprano & orchestra, K. 538
  2. Vorrei spiegarvi, o Dio, aria for soprano & orchestra, K. 418
  3. No no, che non sei capace, aria for soprano & orchestra, K. 419
  4. Se tutti i mali miei, aria for soprano & orchestra, K. 83 (K. 73p)
  5. Popoli di Tessaglia...Io non chiedo, recitative and aria for soprano & orchestra, K. 316 (K. 300b)
  6. Mia speranza adorata...Ah, non sai qual pena, recitative and aria for soprano & orchestra, K. 416
  7. Alcandro, Io confesso...Non só d'onde viene, recitative and aria for soprano & orchestra, K. 294
  8. Ma che vi fece...Sperai vicino il lido, recitative and aria for soprano & orchestra, K. 368
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Mozart's concert arias are not really generically independent from his operas. They were mostly written for insertion into operas by a singer, often Mozart's girlfriend and then sister-in-law Aloysia Weber, who wanted to display her talents to their best advantage. As such, however, they stand out from other operatic arias as some of the most difficult vocal pieces Mozart composed. Several of these pieces are in Queen of the Night territory, with not just individual high notes but lengthy passages that require the singer to ...

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