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Maurice Ravel: Cantates pour le prix de Rome - Clarisse Dalles (soprano); Jacques Imbrailo (baritone); Janina Baechle (mezzo-soprano); Julien Behr (tenor);...
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  1. Alyssa, cantata for soloists & orchestra, M. 38
  2. Alcyone, cantata for soloists & orchestra, M. 34
  3. Myrrha, cantata for soloists & orchestra, M. 29
  4. L'aurore, cantata for tenor, chorus & orchestra, M. 45
  5. La nuit, cantata for soprano, chorus & orchestra, M. 33
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  1. Alyssa, cantata for soloists & orchestra, M. 38
  2. Alcyone, cantata for soloists & orchestra, M. 34
  3. Myrrha, cantata for soloists & orchestra, M. 29
  4. L'aurore, cantata for tenor, chorus & orchestra, M. 45
  5. La nuit, cantata for soprano, chorus & orchestra, M. 33
  6. Les bayadères, cantata for soprano, chorus & orchestra, M. 25
  7. Matinée de Provence, cantata for voice, chorus & orchestra, M. 37
  8. Tout est lumière, cantata for soprano, chorus & orchestra, M. 28
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The Prix de Rome in Ravel's time was a coveted honor bestowed by the Conservatoire de Paris, bringing three years' residence at the swank Villa Medici in Rome, and Ravel, like other young composers, took his best shot at getting it. He placed third one year and totally failed in two other tries. The annotations by Gérard Condé for this Chandos release delve into various political reasons for the failure, but the main issue seems to have been that the heavy choral cantata form specified by the prize rules did not fit what ...

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