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Matthias Weckman: Kammermusik; Klaviermusik - Ensemble la Fenice; François Fernandez (violin); Greta de Reyghère (soprano); Ricercar Consort; Siebe Henstra (clavichord);...
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  1. Sonata à 4, No. 9
  2. Sonata à 4, No. 6
  3. Der reinweissen Hertzogin hocklahre Seelenfarbe
  4. Ehrenlied an Herrn Martenitz
  5. Der reinweissen Hertzogin hochklahre Liebesfarbe
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  1. Sonata à 4, No. 9
  2. Sonata à 4, No. 6
  3. Der reinweissen Hertzogin hocklahre Seelenfarbe
  4. Ehrenlied an Herrn Martenitz
  5. Der reinweissen Hertzogin hochklahre Liebesfarbe
  6. Sonata à 4, No. 7
  7. Sonata à 4, No. 8
  8. Sonata à 4, No. 1
  9. Der schöne Hamburgerin Liebligkeit
  10. Loblied auf Herrn Schuppen
  11. Schöne Hamburgerin Abgesang, Lied for voice & continuo
  12. Sonata à 3, No. 10
  13. Sonata à 4, No. 5 (battaglia)
  14. Sonata à 4, No. 4
  15. Mühlenlied
  16. Scherzlied an die lüsse Anabelle
  17. Freudenlied auf die Guldene Hochzeit
  18. Sonata à 4, No. 3
  19. Sonata à 4, No. 2
  20. Suite for keyboard in B minor
  21. Toccata for keyboard in D minor
  22. Canzon for harpsichord in D minor
  23. Toccata for keyboard in E minor
  24. Toccata vel Præludium Primi Toni, for organ, KN 147/1
  25. Suite for keyboard in D minor
  26. Lucidor einss Hüt der Schaf
  27. Toccata III for keyboard in E minor
  28. Suite for keyboard in E minor
  29. Canzon for harpsichord in G major
  30. Suite for keyboard in C minor
  31. Canzon for harpsichord in C major ("Dall'isteso Tuono")
  32. Suite for keyboard in A minor
  33. Variations on "Die lieblichen Blicke" for keyboard
  34. Toccata for harpsichord in C major
  35. Canzon for harpsichord in C major
  36. Canzon for organ in C minor, KN 147/11
  37. Toccata for keyboard in A minor
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Matthias Weckmann was a composer active in central and north Germany in the middle of the seventeenth century. The letter "n" at the end of his surname is usually doubled; the variant used here is acceptable, but the fluctuating usage in the booklet is not. In broad terms he was one of Bach's ancestors; his orientation and apprenticeship encompassed both Italian (via Froberger, an acquaintance and strong influence) and French elements. Each of these is treated somewhat idiosyncratically, and two discs' worth of unfamiliar ...

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Matthias Weckman: Kammermusik; Klaviermusik 2009, Ricercar

UPC: 5400439002821

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