El semanario Marcha (1939-1974) constituy??? un ejemplo paradigm???tico de los efectos que las fuerzas sociales y pol???ticas pueden llegar a imprimir en los imaginarios colectivos y en las pr???cticas culturales concretas a trav???s de las cuales se expresa una comunidad. Marcha surgi??? en uno de los pa???ses m???s peque???os y perif???ricos de Am???rica Latina para despu???s proyectarse con fuerza a trav???s de fronteras culturales e ideol???gicas abriendo un espacio de di???logo y debate donde participaron figuras de la ...
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El semanario Marcha (1939-1974) constituy??? un ejemplo paradigm???tico de los efectos que las fuerzas sociales y pol???ticas pueden llegar a imprimir en los imaginarios colectivos y en las pr???cticas culturales concretas a trav???s de las cuales se expresa una comunidad. Marcha surgi??? en uno de los pa???ses m???s peque???os y perif???ricos de Am???rica Latina para despu???s proyectarse con fuerza a trav???s de fronteras culturales e ideol???gicas abriendo un espacio de di???logo y debate donde participaron figuras de la cultura, la pol???tica y la econom???a internacional. Este prestigioso semanario sucumbi??? ante la barbarie de la violencia de Estado, incrementando el desamparo de un continente que perd???a uno de los m???s firmes puntos de referencia ideol???gica y cultural. Quienes participan en este libro, piensan en Marcha desde horizontes te???ricos ya problematizados por los estudios culturales, donde las narrativas cr???ticas intersectan con planteamientos de evaluaci???n pol???tica, inter???s historiogr???fico, o an???lisis sociocultural. Los art???culos aqu??? recogidos respetan lo que fue la intenci???n principal de esta compilaci???n: mostrar la incidencia de Marcha m???s all??? de lo local, pero a su vez sin despreciarlo, ya que el semanario lo atendi??? a consciencia. Sobre todo, se ocupan de dejar claros los t???rminos en los que se abre, se sostiene y se cierra, a trav???s de la p???ginas de Marcha, un di???logo valiente y riguroso donde la cultura germin??? como una aventura intelectual colectiva, y como forma de imaginaci???n, y de la sensibilidad social. ~ The weekly magazine Marcha (1939-1974) was a paradigmatic example of the effects that social and political forces can have on collective imaginaries and on the specific cultural practices through which a community expresses itself. Marcha emerged in one of the smallest and most peripheral countries in Latin America to later spread across cultural and ideological borders, opening a space for dialogue and debate to which important players in international culture, politics and the economy contributed. This prestigious magazine succumbed to the barbarity of State violence, increasing the helplessness of a continent that was losing one of its strongest ideological and cultural points of reference. Those who contribute to this book reflect upon Marcha from theoretical horizons already problematized by cultural studies, where critical narratives intersect with approaches to political evaluation, historiographical interest, or sociocultural analysis. The articles collected here respect what was the main intention of this compilation: to show the incidence of Marcha beyond the local, but at the same time without despising the local, since the magazine attended to it conscientiously. Above all, they are concerned with clarifying the terms in which a brave and rigorous dialogue is opened, sustained and closed through the pages of Marcha, where culture was conceived as a collective intellectual adventure, and as a form of imagination and social sensitivity.
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Edition:
2003, Instituto Internacional de Literatura Iberoamericana
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Edition:
2003, Instituto Internacional de Literatura Iberoamericana
Publisher:
Instituto Internacional de Literatura Iberoamericana
Published:
2003
Language:
English
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Edition:
2003, Instituto Internacional de Literatura Iberoamericana
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