Verdi came to Shakespeare through Italian translation and had never seen Macbeth on stage when he wrote his first version of the opera in 1847. Giorgio Melchiori draws a parallel between the conditions in which the playwright and the composer were working and compares their achievements. The supernatural was a vital element in both conceptions: the opera is "in the fantastic style", with bizarre music for the witches' dances and choruses. Theatre historian Michael Booth vividly introduces the staging of Shakespeare in the ...
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Verdi came to Shakespeare through Italian translation and had never seen Macbeth on stage when he wrote his first version of the opera in 1847. Giorgio Melchiori draws a parallel between the conditions in which the playwright and the composer were working and compares their achievements. The supernatural was a vital element in both conceptions: the opera is "in the fantastic style", with bizarre music for the witches' dances and choruses. Theatre historian Michael Booth vividly introduces the staging of Shakespeare in the nineteenth century. Harold Powers discusses how the dramatic situations lent themselves to the forms and purposes of Italian opera. Contents: 'Macbeth': Shakespeare to Verdi, Giorgio Melchiori; Making 'Macbeth' 'Musicabile', Harold Powers; 'Macbeth' and the Nineteenth-Century Theatre, Michael R. Booth; A Note on Shakespeare's 'Macbeth', August Wilhelm Schlegel; The Preface in the Ricordi Libretto; Piave's Intended Preface for the 1847 Libretto; Macbeth: Libretto by Francesco Maria Piave (1865); Macbeth: English translation by Jeremy Sams
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Add this copy of Macbeth to cart. $2.29, very good condition, Sold by ThriftBooks-Reno rated 5.0 out of 5 stars, ships from Reno, NV, UNITED STATES, published 1990 by Calder Publications.
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Add this copy of Macbeth (English National Opera Guide) to cart. $14.20, good condition, Sold by Reuseabook rated 4.0 out of 5 stars, ships from Gloucester, GLOS, UNITED KINGDOM, published 1990 by Calder Publications Ltd.
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