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Luzzasco Luzzaschi: Concerto delle Dame - Cristiano Contadin (viola da gamba); Davide Pozzi (harpsichord); Emanuela Galli (soprano); Francesca Cassinari (soprano);...
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  1. Aura soave, for voice and continuo
  2. O primavera gioventù dell'anno, for voice & continuo
  3. Ch'io non t'ami cor mio, for voice & continuo
  4. Toccata del Quarto Tono for organ
  5. Stral pungente d'amore, for 2 women's voices & continuo
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  1. Aura soave, for voice and continuo
  2. O primavera gioventù dell'anno, for voice & continuo
  3. Ch'io non t'ami cor mio, for voice & continuo
  4. Toccata del Quarto Tono for organ
  5. Stral pungente d'amore, for 2 women's voices & continuo
  6. Deh vieni hormai cor mio, for 2 voices & continuo
  7. Cor mio, deh non languire, madrigal for 2 women's voices & continuo
  8. I' mi son giovinetta, madrigal for 2 women's voices & continuo
  9. Ricercare for keyboard
  10. O dolcezz' amarissime d'amore
  11. Troppo ben può, madrigal for 3 women's voices & continuo
  12. T'amo mia vita, madrigal for 3 women's voices & continuo
  13. Canzon francese, for harpsichord
  14. Non sa che sia dolore, madrigal for 3 women's voices & continuo
  15. Occhi del pianto mio
  16. Donna mentre vi miro, for 3 voices & continuo
  17. Segu'a rinascer l'aura, for 3 voices & continuo
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The Concerti delle Dame, or Concerts of the Ladies, were secret events held by the Duke of Ferrara, using a consort of sopranos at his court. The organizer was the duke's court composer, the melodiously named Luzzasco Luzzaschi, who also composed chromatic madrigals in a language approaching that of Gesualdo. But these works experimented with the declamatory, chordal, highly ornamented style that became known as the seconda pratica. The original manuscripts used in the concerts were lost after the duke's court was absorbed ...

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