It is, in a sense, a trick of the times that Lost in Space conveys such a vivid visual quality; thanks to the high profile given to her music on the Magnolia soundtrack, it's now impossible to miss the narrative strength of Aimee Mann's writing. The mood throughout this album is autumnal, with filmy keyboard beds and expressive shifts between major and minor enhancing the subdued eloquence of her lyrics. (A major chord at the end of "Guys Like Me" offers an ironic twist on the smug portraiture that precedes it.) Though ...
Read More
It is, in a sense, a trick of the times that Lost in Space conveys such a vivid visual quality; thanks to the high profile given to her music on the Magnolia soundtrack, it's now impossible to miss the narrative strength of Aimee Mann's writing. The mood throughout this album is autumnal, with filmy keyboard beds and expressive shifts between major and minor enhancing the subdued eloquence of her lyrics. (A major chord at the end of "Guys Like Me" offers an ironic twist on the smug portraiture that precedes it.) Though recorded free of the legal snarls that plagued most of her previous albums, Lost in Space seems to be mainly about alienation and, at least as a metaphor, addiction. The latter point is made clear in "This Is How It Goes," with its assertions that "it's all about drugs, it's all about shame." But it's clear as well when Mann offers to "be your heroine" -- or is it heroin? -- amidst slithering slide guitars and rainy gray textures on "High on Sunday 51," or confesses to seeking salvation where "It's Not." Recorded largely in Ryan Freeland's home studio, some of these songs receive discreet electronic treatments -- moments of abstract noise whose application always enhances the otherwise low-tech arrangements. For all the shadows that stretch across Lost in Space, what lingers in the wake of this music is the realization that Mann remains spectacularly underrated among contemporary songwriters; no one surpasses her as a master of poetic regret, and few albums examine the peculiar beauty of depression with the skill she brings to Lost in Space. [A little over a year after the release of Lost in Space, the album was reissued in a elaborate limited-edition, packaged as a mini-book and containing a ten-track second disc. Half of this is live, including five live versions of songs from the 11-track album, and then two B-sides that could have fit on the album -- "Nightmare Girl" and "Backfire" -- and two okay previously unreleased songs, "Fighting the Stall" and "Observatory."] ~ Robert L. Doerschuk, Rovi
Read Less
Add this copy of Lost in Space to cart. $19.72, good condition, Sold by Dream Books Co. rated 5.0 out of 5 stars, ships from Denver, CO, UNITED STATES, published 2003 by Superego.
Add this copy of Lost in Space to cart. $20.27, good condition, Sold by GoodwillVSB rated 5.0 out of 5 stars, ships from Oxnard, CA, UNITED STATES, published 2003 by Superego.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is a USED ITEM. The CD is in nice condition but may have minor SCUFFS and or SCRATCHES on the DISC and PACKAGING. MAY NOT INCLUDE the CD insert booklet. Thank you for supporting Goodwill Industries of Ventura and Santa Barbara County in our mission to enhance the dignity and quality of life of individuals and families through education, skills training, and the power of employment. OUR MEDIA HAS NOT BEEN TESTED. WE CLEAN OUR DISK FOR MINOR SCRACTHES.
![Lost in Space [Bonus Disc] - Aimee Mann](https://www1.alibris-static.com/lost-in-space-bonus-disc/cover/g16144b4cv8_l.jpg)
![Lost in Space [Bonus Disc]](https://www3.alibris-static.com/lost-in-space-bonus-disc/cover/g16144b4cv8.jpg)
![Magnolia [Original Soundtrack]](https://www0.alibris-static.com/magnolia-original-soundtrack/cover/d82681xbx9m.jpg)
