In the twenty-first century, even those who do not know Lizzie Siddal's name will recognize her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice in two of the nineteenth century's most famous paintings. As Lucinda Hawksley explores in Lizzie Siddal, Face of the Pre-Raphaelites, Siddal's fame was a remarkable phenomenon: in a time when she was the opposite of the Victorian beauty (she was red-haired, quite tall, and painfully thin), she nonetheless scaled the social ranks to become the unlikely ideal. ...
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In the twenty-first century, even those who do not know Lizzie Siddal's name will recognize her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice in two of the nineteenth century's most famous paintings. As Lucinda Hawksley explores in Lizzie Siddal, Face of the Pre-Raphaelites, Siddal's fame was a remarkable phenomenon: in a time when she was the opposite of the Victorian beauty (she was red-haired, quite tall, and painfully thin), she nonetheless scaled the social ranks to become the unlikely ideal. A pivotal figure in London's artistic world of the mid-nineteenth century, Lizzie's short life ended in a delirium of opium. In this, the first full work devoted solely to Lizzie--her austere beginnings, quick rise to fame, and tragic end--Hawksley brings together the worlds of art and literature with style and verve. Lizzie Siddal was not merely the Pre-Raphaelites' obsession and muse, she was a talented poet and artist in her own right. Her tragic and haunting life story serves as a cautionary tale, offering many parallels to the modern-day world of art, fashion, beauty, and our obsession with what we hold to be the ideal.
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Add this copy of Lizzie Siddal: Face of the Pre-Raphaelites: Face of the to cart. $2.56, very good condition, Sold by ThriftBooks-Baltimore rated 4.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 2006 by Walker Books.
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