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Lassus: Great Choral Works - Chris O'Gorman (vocals); Chris O'Gorman (voices); Edward McMullan (vocals); James Ryan (vocals); Jessica Holgate (vocals);...
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  1. Missa Surrexit Pastor bonus, for 5 voices, H. xii/15
  2. Missa Jager (Venatorum), for 4 voices, H. iv/73
  3. Taedet animam, motet for 5 voices, M. ii (S. vii/103)
  4. Veni creator spiritus, hymn for 5 voices, H. xviii/65
  5. Tristis est anima mea, motet for 5 voices, M. iv (S. v/48)
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  1. Missa Surrexit Pastor bonus, for 5 voices, H. xii/15
  2. Missa Jager (Venatorum), for 4 voices, H. iv/73
  3. Taedet animam, motet for 5 voices, M. ii (S. vii/103)
  4. Veni creator spiritus, hymn for 5 voices, H. xviii/65
  5. Tristis est anima mea, motet for 5 voices, M. iv (S. v/48)
  6. In pace in idipsu, motet for 3 voices, M. xxi (S. i/59)
  7. Quare tristis es anima mea?, motet for 6 voices, M. iv (S. xvii/12)
  8. Videntes stellam magi, motet for 5 voices, M. ii (S. v/22)
  9. Timor et tremor, motet for 6 voices, M. iii (S. xix/6)
  10. Magnificat, Septimi toni, for 10 voices, H. xvii/150
  11. Surgens Jesus, motet for 5 voices, M. ii (S. v/60)
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The motets and comparatively less often heard masses (one is included here) of Orlande de Lassus aren't ideally suited to the English cathedral style of choral singing and popular collections by English choirs often avoid him in favor of the more limpid works of Josquin. There's an intimate, madrigal-esque quality to Lassus' writing that doesn't fully translate to the English sound, despite the (certainly disputed) suggestion made in the booklet here that Lassus may have come to England as a young man and been influenced by ...

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Lassus: Great Choral Works 2009, Regent

UPC: 802561029724

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