This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910 edition. Excerpt: ...57 is too much of a jumble. There are no leading lines, they all interfere with each other. 1'erhaps it is the fault of the subject. There are many subjects that can be photographed but somehow evade the laws of pictorial composition. Impressionism has tried to overthrow many of the older forms of ...
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910 edition. Excerpt: ...57 is too much of a jumble. There are no leading lines, they all interfere with each other. 1'erhaps it is the fault of the subject. There are many subjects that can be photographed but somehow evade the laws of pictorial composition. Impressionism has tried to overthrow many of the older forms of composition and in a way has been successful. It has championed a certain lawlessness, a disregard for perspective and chiaroscura, and standard forms of construction, and laid special stress upon spacing, silhouetting, and the reproduction of sunlight. The impressionists claim that nature's forms in themselves are compositions, and that the best paintings are those that simply repeat in color what is seen by the human eye. Ernest Lawson's "Fort George" is such a production. It is confused enough. It is surely no masterpiece of composition and yet it follows out certain ideas of composition in a vague haphazard manner. Why the white horse in the foreground? Surely, not merely because it happened to pass by when the painter painted the picture, but rather as a balancing note for the white pole, railing, and swing stand. And why the repetition of tree forms and the vertical and horizontal lines? I believe, there is as much composition in Childc Hassam, good impressionistic pictures as in any others. They carry out the Japanese idea, that every flower and every tree has its own peculiar rhythm and linear beauty, and that in painting a birch tree for instance, you should depict these qualities that are intrinsically its own. In other words, let the scene itself which you wish to depict determine your composition. This is just reverse of the other method, to find a subject suitable for the special treatment and idea of composition which you...
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Add this copy of Landscape and Figure Composition to cart. $15.42, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2022 by Legare Street Press.
Add this copy of Landscape and figure composition to cart. $19.92, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2020 by Alpha Edition.
Add this copy of Landscape and Figure Composition to cart. $26.58, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2022 by Legare Street Press.
Add this copy of Landscape and Figure Composition to cart. $35.00, good condition, Sold by Brentwood Books rated 3.0 out of 5 stars, ships from Kinnelon, NJ, UNITED STATES, published 1910 by Baker & Taylor.
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Seller's Description:
GOOD PLUS. Original 1910 edition, large dark red cloth hardcover, b&w photos, 121 pages. Cloth cover moderately worn (cloth worn through at corners, rather frayed at top and bottom of spine; lettering on spine is barely legible but is better on front cover). Binding slightly loose, split prior to last page but still held securely. Unmarked. A very serviceable copy of the original edition. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.
