Life should have been sunny for Max Glickman, growing up in Crumpsall Park in peacetime, with his mother's glamorous card evenings to look forward to, and photographs of his father's favourite boxers on the walls. But other voices whisper seductively to him of Buchenwald, extermination, and the impossibility of forgetting. Fixated on the crimes which have been committed against his people, but unable to live among them, Max moves away, marries out, and draws cartoon histories of Jewish suffering in which no one, least of ...
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Life should have been sunny for Max Glickman, growing up in Crumpsall Park in peacetime, with his mother's glamorous card evenings to look forward to, and photographs of his father's favourite boxers on the walls. But other voices whisper seductively to him of Buchenwald, extermination, and the impossibility of forgetting. Fixated on the crimes which have been committed against his people, but unable to live among them, Max moves away, marries out, and draws cartoon histories of Jewish suffering in which no one, least of all the Jews, is much interested. But it's a life. Or it seems a life until Max's long-disregarded childhood friend, Manny Washinsky, is released from prison. Little by little, as he picks up his old connection with Manny, trying to understand the circumstances in which he made a Buchenwald of his own home, Max is drawn into Manny's family history - above all his brother's tragic love affair with a girl who is half German. But more than that, he is drawn back into the Holocaust obsessions from which he realises there can be, and should be, no release. There is wild, angry, even uproarious laughter in this novel, but it is laughter on the edge. It is the comedy of cataclysm.
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In 2007, I received this book as a birthday gift from a sweet friend and colleague who knew I loved to read.. I didn't like the book but still remember and am grateful for her thoughtfulness.
Kalooki Nights by the English novelist Howard Jacobson tells a story of an English Jewish community in Manchester, England in the years following WW II. The chief protagonist is the narrator, Max Glickman, a cartoonist who has had three wives, two non-Jewish and anti-Semitic, and one Jewish, who also endeavors to loosen Judaism's hold on Max. Max's father was an aspiring boxer who became an atheist and tries to give both Max and his other child, his daughter Shani, a secular life. Shani marries a non-Jewish man in what proves to be a successful relationship. Max's mother is an inveterate player of a card game called Kalooki, with a group of other Jewish women.
The book recounts Max's relationship with his childhood friend Manny Washinsky. Unlike Max, Manny was raised in an orthodox household. Manny teaches Max of the horrors of the Holocaust. When Max's older brother becomes romantically involved with a non-Jewish woman and the parents do everything in their power to terminate the relationship, Max ultimately gasses them to death in their bed and spends many years in prision. Years later Max and Manny meet again, when an anti-Semitic television producer hires Max to do research on a story about Manny.
In many ways, this book is a cross between "Portnoy's Complaint" and other early books by Philip Roth and "The Amazing Adventures of Kavalier and Clay", the story of two American Jewish cartoonists, by Michael Chabon. The book has as some of its themes the tension between secularism and traditional religiosity as options for modern Jews, the Holocaust and its impact on Jewish life and belief, and the relationship between Jews and non-Jews, particularly as the relationships involve sexuality and intimacy.
The book is funny in many places and insightful in some. But it is told in a blustery, wandering, and diffuse style which make it difficult to follow. The language is wordy, profane, and satirical -- probably in an attempt to create some artistic distance between the author and the events which he describes -- but much of the book I found painful. The characters, Jewish and non-Jewish, are full of bigotry for each other and hatred for themselves. Sexual themes play a large role in the book, as the Jewish men are embittered towards Jewish women -- thinking that the women will not become involved in a sexual relationship with them -- and the non-Jewish women are drawn to what they think they perceive of Jewish men. This is a story that has been told before, and it is drummed in unmercifully in this novel.
Some of this story has a context broader than the ambiguous situation that, for the author, many Jewish people find themselves in or create for themselves. The author deals implicitly with the need of people to find spirituality for themselves without the extremes of total secularism on the one hand on routinized fundamentalism or orthodoxy on the other hand. But the self-pitying, solipsistic outlook of most of the characters of the book, together with its windy, unorganized character, make this novel a chore to read and largely unsuccessful.
