Excerpt from Julian Alden Weir: An Essay Ince the passing so recently from our midst of J. Alden Weir, the best critical opinion, in his own country at least, has crystalized rapidly and acclaimed him with a remarkable degree of confidence as a man for the ages, as one who now enters upon a splendid destiny of imperish able and ever increasing fame. I do not feel certain that Weir will ever be one of the popular painters who are appraised at or above their real value by the general public. He never carried his heart on his ...
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Excerpt from Julian Alden Weir: An Essay Ince the passing so recently from our midst of J. Alden Weir, the best critical opinion, in his own country at least, has crystalized rapidly and acclaimed him with a remarkable degree of confidence as a man for the ages, as one who now enters upon a splendid destiny of imperish able and ever increasing fame. I do not feel certain that Weir will ever be one of the popular painters who are appraised at or above their real value by the general public. He never carried his heart on his sleeve, never painted pictures which cor respond to household words, never tried to entertain nor to educate the crowd, nor to organize a following and start a move ment. He was contemptuous not only of sentimentality, but of sensationalism and of the notoriety which so often passes for fame, and in his own manner of painting, so marked was his restraint that he tended to an expression of unconscious austerity. Yet he was the most approachable and genial of men. And the very essence of his art - what makes it great - what will make it immor tal - is the warm and glowing lovableness which underlies the reserve. Weir believed that art is not worth all the time and talk men spend upon it if it does not stimulate to finer issues our dormant faculties for living. If the value of art is measured according to its expressional power, then the art of Weir is a very great art even if it is not entirely easy of access. It is the pure gold deep in the earth which we must dig to find, not the cheap gilding on the gaudy surface of commercial ornaments. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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VG-(Some wear to extremities of wraps; Two small stickers at front cover) Tan stapled wraps; 28 pp.; 1 bw photo, 8 bw plates. A lengthy essay by Duncan Phillips about American artist Julian Alden Weir.
