For a time, composer Joly Braga Santos occupied a space in Estado Novo Portugal similar to that of Joaquín Rodrigo in Spain, writing attractive tonal works in a style somewhat insulated from contemporary developments. Through about the end of the 1950s he wrote music akin to that of Rodrigo or that of the English pastoral school, with skillful orchestration, a profusion of little tunes (there is nothing here that leaves you tapping your feet like Rodrigo does, but the four Renaissance-flavored miniatures are charming), and ...
Read More
For a time, composer Joly Braga Santos occupied a space in Estado Novo Portugal similar to that of Joaquín Rodrigo in Spain, writing attractive tonal works in a style somewhat insulated from contemporary developments. Through about the end of the 1950s he wrote music akin to that of Rodrigo or that of the English pastoral school, with skillful orchestration, a profusion of little tunes (there is nothing here that leaves you tapping your feet like Rodrigo does, but the four Renaissance-flavored miniatures are charming), and light folk influences. Then Braga Santos went to Italy in the 1960s. Conductor Álvaro Cassuto saves the best for last here: Braga Santos did not turn into an avant-gardist, but his music took on an edgier feel. The Piano Concerto, Op. 52, is a brusque, concise work that would make any audience sit up and take notice, and deserves full-scale addition to the standard repertory. Although Cassuto, a close friend of Braga Santos, doesn't mention it, it seems as though Shostakovich served...
Read Less
Add this copy of Braga Santos: Piano Concerto, Symphonic Overtures Nos. to cart. $30.55, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2018 by Naxos.