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Johannes de Cleve: Missa Rex Babylonis - Achim Schulz (tenor); Cinquecento; Terry Wey (counter tenor); Timothy Scott Whiteley (baritone); Tore Tom Denys (tenor);...
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  1. Carole qui veniens, motet for 5 voices (Cantiones seu harmoniae sacrae)
  2. Missa Rex Babylonis, for 5 voices
  3. Es wel uns Gott genedig sein, song
  4. Laudate Dominum, motet for 5 voices
  5. Timete Dominum, motet for 5 voices
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  1. Carole qui veniens, motet for 5 voices (Cantiones seu harmoniae sacrae)
  2. Missa Rex Babylonis, for 5 voices
  3. Es wel uns Gott genedig sein, song
  4. Laudate Dominum, motet for 5 voices
  5. Timete Dominum, motet for 5 voices
  6. Credo quod redemptor, motet for 5 voices
  7. Carole cui nomen, motet for 5 voices
  8. Rex Babylonis, motet for 5 voices
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When it comes to the third quarter of the 16th century, it was the radicals (Luca Marenzio and his still wilder followers) and the conservatives (Palestrina and the Spanish school) who have received most of the ink, grooves, and bytes. However, there were also composers who followed in the mainstream of Franco-Flemish music flowing from Josquin and, after him, Nicolas Gombert and Giaches de Wert (once dubbed the Ert Brothers). Unlike those composers, Johannes de Cleve worked in Vienna, as evidenced by a German-language ...

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Johannes de Cleve: Missa Rex Babylonis 2020, Hyperion

UPC: 034571282411

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