Add this copy of Jim Shaw: Distorted Faces and Portraits, 1978-2007 to cart. $8.50, like new condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2007 by Jrp Ringier.
Add this copy of Jim Shaw: Distorted Faces and Portraits, 1978-2007 to cart. $8.50, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2007 by Jrp Ringier.
Add this copy of Jim Shaw: Distorted Faces and Portraits, 1978-2007 to cart. $8.75, new condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2007 by Jrp Ringier.
Add this copy of Jim Shaw: Distorted Faces and Portraits, 1978-2007 to cart. $17.47, new condition, Sold by Ebooksweb rated 3.0 out of 5 stars, ships from Bensalem, PA, UNITED STATES, published 2007 by Jrp Ringier.
Add this copy of Jim Shaw: Distorted Faces and Portraits, 1978-2007 to cart. $17.57, new condition, Sold by MESILLAINTERNET rated 4.0 out of 5 stars, ships from LAS CRUCES, NM, UNITED STATES, published 2007 by Jrp Ringier.
Add this copy of Jim Shaw: Distorted Faces & Portraits, 1978-2007 to cart. $20.00, very good condition, Sold by Hennessey + Ingalls rated 4.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2007 by Jrp Ringier.
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Seller's Description:
Used-Very Good. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization. ' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras.
Add this copy of Jim Shaw: Distorted Faces and Portraits, 1978-2007 to cart. $33.48, like new condition, Sold by Ebooksweb rated 3.0 out of 5 stars, ships from Bensalem, PA, UNITED STATES, published 2007 by Jrp Ringier.
Add this copy of Jim Shaw: Distorted Faces and Portraits, 1978-2007 to cart. $33.48, very good condition, Sold by Ebooksweb rated 3.0 out of 5 stars, ships from Bensalem, PA, UNITED STATES, published 2007 by Jrp Ringier.
Add this copy of Jim Shaw: Distorted Faces & Portraits, 1978-2007 to cart. $39.99, new condition, Sold by Hennessey + Ingalls rated 4.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2007 by Jrp Ringier.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization. ' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras. Still shrink wrapped.
Add this copy of Jim Shaw: Distorted Faces & Portraits, 1978-2007 to cart. $39.99, like new condition, Sold by Hennessey + Ingalls rated 4.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2007 by Jrp Ringier.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Used-Like New. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization. ' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras.
