Dispels the myth that Jean Luc Godard's work ceased to be concerned with politics after the 1970s Investigates Godard's political filmmaking in the context of Thirdworldism and anti-imperialism Highlights Godard's on-going exploration on the stakes of aesthetic-political representation Engages with Godard's controversial juxtaposition between the Shoah and the Nakba
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Dispels the myth that Jean Luc Godard's work ceased to be concerned with politics after the 1970s Investigates Godard's political filmmaking in the context of Thirdworldism and anti-imperialism Highlights Godard's on-going exploration on the stakes of aesthetic-political representation Engages with Godard's controversial juxtaposition between the Shoah and the Nakba
Read Less