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Jan Dismas Zelenka: Responsoria pro hebdomada sancta; Lamentatio Ieremiae Prophetae - Collegium Vocale 1704; Hasan El-Dunia (tenor); Jaromír Nosek (bass); Marián Krejcik (bass); Tomás Král (bass); Collegium 1704
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  1. Lamentationes (6) pro hebdomada sancta, for soloists & chorus ("Lamentationes Jeremić prophetć"), ZWV 53:
  2. Responsoria (27) pro hebdomada sancta, for soloists, chorus & instruments, ZWV 55
  3. Maundy Thursday: Lectio 2 ("Vau. Et egressus est a filia Sion")
  4. Tristis est anima mea, responsory
  5. Ex tractatu Sancti Augustini
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  1. Lamentationes (6) pro hebdomada sancta, for soloists & chorus ("Lamentationes Jeremić prophetć"), ZWV 53:
  2. Responsoria (27) pro hebdomada sancta, for soloists, chorus & instruments, ZWV 55
  3. Maundy Thursday: Lectio 2 ("Vau. Et egressus est a filia Sion")
  4. Tristis est anima mea, responsory
  5. Ex tractatu Sancti Augustini
  6. Diabolus et angeli, lectio
  7. Quoniam iniquitatem
  8. Lectio epistolae beati Pauli apostoli
  9. Ego enim accepi a Domino (attrib. Lobo de Mesquita)
  10. Quicumque manducaverit, responsory
  11. Lamentatio Ieremiae prophetae
  12. Lamed: Matribus suis dixierunt, for voice & continuo (Feriae VI in Parasceve, Lectio Seconda)
  13. Ego vir, lectio
  14. Ex tractatu Sancti Augustini
  15. Nostis, qui conventus, lectio
  16. Etenim propterea eum dederunt, lectio
  17. Lectio epistolae beati Pauli apostoli
  18. Adeamus ergo cum fiducia, lectio
  19. Sic et Christus, lectio
  20. Lamentatio Ieremiae prophetae
  21. Quomodo obscuratum est aurum, lectio
  22. Recordare, Domine, lectio
  23. Ex tractatu Sancti Augustini
  24. Quo perduxerunt, lectio
  25. Posuerunt costodes, lectio
  26. Lectio epistolae beati Pauli apostoli
  27. Et ideo novi testamenti, lectio
  28. Lecto enim omni mandato, lectio
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The music here was written for performance during Holy Week at the splendid Catholic court of Dresden in 1722. The example of Dresden stirred Johann Sebastian Bach to some of his most Italianate flights of opera-like music, and the composer of the Holy Week responsories heard here, the Bohemian-born Jan Dismas Zelenka (whom Bach himself admired), had an experimental, progressive spirit in much of his music. All the more of a surprise, then, to find that these pieces are written in an almost antique style. Each of the three ...

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