The extraordinary rise of musicology in Ireland over the last twenty years has generated an increased interest in the sister discipline of music theory and analysis. This volume highlights this development and presents a substantial cross-section of the current state of the discipline in two main parts: Part I offers analytical perspectives on compositional techniques used by Irish composers including Kevin Volans, Roger Doyle, A.J. Potter, John Kinsella, Eric Sweeney and Gerald Barry; Part II engages more broadly with ...
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The extraordinary rise of musicology in Ireland over the last twenty years has generated an increased interest in the sister discipline of music theory and analysis. This volume highlights this development and presents a substantial cross-section of the current state of the discipline in two main parts: Part I offers analytical perspectives on compositional techniques used by Irish composers including Kevin Volans, Roger Doyle, A.J. Potter, John Kinsella, Eric Sweeney and Gerald Barry; Part II engages more broadly with mainstream theoretical and analytical topics and embraces a wide range of works, genres and approaches, including repertoire from the early 19th to the later 20th century (Schubert, Chopin, Brahms, Bruckner, Nielsen, Sibelius, Eisler, Gerhard), and theoretical perspectives from Schenkerian theory and sonata theory to post-tonal voice leading and serialism.
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Add this copy of Irish Musical Analysis: Irish Musical Studies 11 to cart. $67.09, new condition, Sold by Kennys.ie rated 4.0 out of 5 stars, ships from Galway, IRELAND, published 2014 by Four Courts Press.
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