Ronak K. Kapadia examines multimedia visual art by artists from societies besieged by the US war on terror, showing how their art offers queer feminist critiques of US global warfare that forge new aesthetic and social alliances with which to sustain critical opposition to the global war machine.
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Ronak K. Kapadia examines multimedia visual art by artists from societies besieged by the US war on terror, showing how their art offers queer feminist critiques of US global warfare that forge new aesthetic and social alliances with which to sustain critical opposition to the global war machine.
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