Excerpt from In the Toils: A Melodrama in Five Acts Slugger rafferty. Act II. - Very tough costume. Hat pulled down over eyes, and walk with elbows bent and head dropped and shoved forward. Maggie riley, age, 18. Act i.-loose blouse waist, rather gay in color. Sleeves rolled up in Scene 1. Short skirt; black stockings and shoes, the latter slightly run down at the heel. Hat with feathers in Scene 2. Costume should be a bit shabby. Act III. - Same, with coat. Act IV. - Newsboy costume. Tattered coat and trousers, with well ...
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Excerpt from In the Toils: A Melodrama in Five Acts Slugger rafferty. Act II. - Very tough costume. Hat pulled down over eyes, and walk with elbows bent and head dropped and shoved forward. Maggie riley, age, 18. Act i.-loose blouse waist, rather gay in color. Sleeves rolled up in Scene 1. Short skirt; black stockings and shoes, the latter slightly run down at the heel. Hat with feathers in Scene 2. Costume should be a bit shabby. Act III. - Same, with coat. Act IV. - Newsboy costume. Tattered coat and trousers, with well-worn shoes: ragged soft hat; loose blouse shirt, open at neck. Act V. - Loose waist, dark skirt, longer than in Act I. Neat shoes and stockings. Whole cos tume is much neater than in previous acts. Helen morton, age, _2 5. Act II. - Neat walking dress of dark material; hat and coat. Act III. - B1ack dress and coat; linen collar and cuffs; plain black hat. Act IV. Same. Mrs. Brady, age, 50. Act II. - Dark colored house dress, with white kerchief crossed on bosom; red wig. Act. III. - Same, without kerchief, and with hat and coat. Act V. - Same as Act II. Conventional dress for waiters, policeman, italians, etc., etc. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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