Producing the opening track "I Don't Mind Whatever Happens" to sound like a scratchy blues track from 1930 may well be the little joke of either the band or producer Eric Drew Feldman in homage to his former boss Captain Beefheart. The results work pretty well anyway, though, and that characterizes the same "try it, let's see what happens" spirit through In a Bar. Having established its own sense of savvy white boy urban blues on Worst Case Scenario, the band explores more ways around it on its second effort, generally ...
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Producing the opening track "I Don't Mind Whatever Happens" to sound like a scratchy blues track from 1930 may well be the little joke of either the band or producer Eric Drew Feldman in homage to his former boss Captain Beefheart. The results work pretty well anyway, though, and that characterizes the same "try it, let's see what happens" spirit through In a Bar. Having established its own sense of savvy white boy urban blues on Worst Case Scenario, the band explores more ways around it on its second effort, generally favoring a quieter, calmer result throughout. New guitarist Craig Ward fits into the lineup well, business carrying along as usual in its striking way. Feldman proves to be an excellent guy to have behind the boards; whether it's he or the band who figures out some of the fantastic stop on a dime shifts and arrangements throughout, all work together with great results. Clever sampling once again crops up: Mingus' "Far Wells, Mill Valley" gets a nod on the smoky snarl "Theme From Turnpike." "Fell Off the Floor, Man" is another high-point, so accomplished and sly in its genre shifting and moods that Beck could be envious. Scott McCloud of Girls Against Boys, a perfectly appropriate guest, takes a bow with some spoken word philosophy, but it's the band's blend of low, spoken vocals, weird harmonies, and sudden shifts between tight rhythms and slabs of feedback that make it all work. Another American takes a bow as well -- Dana Colley, saxophonist for Morphine, on the brief "Supermarketsong" -- but mostly it's all dEUS proving that Belgians can indeed rock. Whether it's the gentle strum and swing (then much more intense break) of "Little Arithmetics," the Built to Spill five years before its time pace and delivery of "Gimme the Heat," or the lovely piano-into-guitar anthem "Disappointed in the Sun," In a Bar is worth the finding. ~ Ned Raggett, Rovi
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Add this copy of In a Bar, Under the Sea to cart. $3.98, poor condition, Sold by Movie Surplus rated 5.0 out of 5 stars, ships from Mobile, AL, UNITED STATES, published 1997 by Polygram.
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Barman; Barman/Carlens; Barman/Carlens/DeBo; Barman/Carlens/Deus; Barman/Carlens/Janz; Barman/Carlens/Trou;... Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
Add this copy of In a Bar Under the Sea to cart. $4.00, very good condition, Sold by HPB-Emerald rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1997 by Island Uk.
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Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of In a Bar Under the Sea to cart. $6.56, very good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 1997 by Polygram.
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Very Good. Very Good condition. audioCD. Case Very Good. Case contains cut-out. Quality guaranteed! In original artwork/packaging unless otherwise noted.