Christopher P. Hanscom questions common understandings of political art by examining four figures central to recent Korean fiction, film, and public discourse: the migrant laborer, the witness to or survivor of state violence, the refugee, and the socially excluded urban precariat.
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Christopher P. Hanscom questions common understandings of political art by examining four figures central to recent Korean fiction, film, and public discourse: the migrant laborer, the witness to or survivor of state violence, the refugee, and the socially excluded urban precariat.
Read Less
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