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Immortal Beloved: Beethoven Arias - Chen Reiss (soprano); Oliver Wass (harp); Academy of Ancient Music; Richard Egarr (conductor)
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  1. Auf die Erhebung Leopold des Zweiten, cantata for soloists, chorus & orchestra, WoO 88: Aria: Fliesse, Wonnezähre, fliesse!
  2. No, non turbarti! . . . Ma tu tremi, o mio tesoro, scena and aria for soprano & orchestra, WoO 92a
  3. Primo amore . . . Tal amor, scena and aria for soprano & orchestra, WoO 92
  4. Soll ein Schuh nicht drücken, aria for soprano & orchestra, WoO 91/2
  5. Fidelio, opera, Op. 72: Act I: O wär' ich schon mit dir vereint
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  1. Auf die Erhebung Leopold des Zweiten, cantata for soloists, chorus & orchestra, WoO 88: Aria: Fliesse, Wonnezähre, fliesse!
  2. No, non turbarti! . . . Ma tu tremi, o mio tesoro, scena and aria for soprano & orchestra, WoO 92a
  3. Primo amore . . . Tal amor, scena and aria for soprano & orchestra, WoO 92
  4. Soll ein Schuh nicht drücken, aria for soprano & orchestra, WoO 91/2
  5. Fidelio, opera, Op. 72: Act I: O wär' ich schon mit dir vereint
  6. Egmont, incidental music, Op. 84: No. 1 Lied: Die Trommel gerühret!
  7. Egmont, incidental music, Op. 84: No. 4 Lied: Freudvoll und leidvoll
  8. Leonore Prohaska, incidental music, WoO 96: No. 2 Romanza: Es blüht eine Blume im Garten mein
  9. Ah! perfido! . . . Per pieta, non dirmi addio, scena and aria for soprano & orchestra, Op. 65
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The "Immortal Beloved" title of this album is a pure marketing conceit; the music has nothing to do with Beethoven's classic unsent love letter (the recipient still unknown) of 1812. It's something of a shame, for the work of soprano Chen Reiss here needs no hype. Reiss, who has sung with the Bavarian State Opera and the Vienna State Opera, has a powerful Richard Strauss-type voice with an attractive middle register and a slicing top. She's a bit strong for the early Beethoven arias that make up the first part of the ...

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